A Quote by Balthazar Getty
I've been producing records, and as early as my late teens, early 20s, I put out a hip-hop record and then the Ringside stuff. You know, I just feel like I want to spend these years realizing all of my ambitions. I feel like we live in an age in which you can chase your dreams with focus and a vision.
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Some people will know exactly what they want to do at a very young age, but the odds are low. I feel like people in their early- to mid-20s are very earnest. They’re very serious, and they want to feel like they’ve accomplished a lot at a very young age rather than just trying to figure stuff out. So I try to push them toward a more experimental attitude.
There was a time in my late teens and early 20s where I was motivated by this wanting to get out, to prove to the world that I had something to offer - that kind of youthful spirit, where maybe I had my eye on fame and fortune. I mellowed out in my late 20s and now that I'm in my early 30s, I'm coming to peace with it.
I feel like when you're in your late teens and early 20s, you just don't think about certain things in your life, and as you get older, you think about your parents getting older.
In my late teens and early 20s, I worked hard on my roles, but, to be honest, I didn't feel any special commitment to acting.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
If my life had gone in a different direction - some of the choices you makes when you're in your teens and your early 20s, I fortunately feel that I haven't been marked by those things.
I made a rule for myself in my early 20s not to become a record collector in the sense that I reference all my old records. I can't live like that. I'd just be trapped in comparison, trying to emulate something, so I made a rule to just buy what I need, just the records I need.
Man, I feel like hip-hop is - first of all, not even only with just GOOD Music, I gotta say - I think hip-hop is still alive in a strong way, man. I feel really enthused about hip-hop.
I had a mystical experience when I was in my late teens, early 20s, and I spent years trying to recapture that.
Going through your late teens and early 20s is not an easy time, especially in Hollywood. So you just learn your lessons, you make your mistakes and you move on.
I wouldn't compare my sound on the mixtape to anything, but my influences are like - the minimal amount of hip-hop that I actually do know - because I didn't grow up listening to hip-hop like that. No one really put me on to hip-hop like that... My dad's from Jamaica and my mom is from Barbados, so that's really the stuff I grew up listening to.
I feel like my place is to connect hip-hop... with the youth, the older, the middle. Just everybody that's listening to me. My place in hip-hop is really to just connect and show positivity. Put my vibe out there.
I definitely have recurring dreams. My dreams are crazy and surreal, which is why I appreciate Carl Jung, 'cause I feel that there has to be some kind of correlation. My dreams are like surreal sci-fi thrillers, and I don't spend time watching stuff like that. I never grew up on stuff like that. I've always just had very, very vivid dreams. This is awful to say, but, lately, I've been dreaming about witnessing murder a lot. What does this mean?
In my late teens, early 20s, when I started stand-up and I was living downtown for the first time, I was deep into my blues and Bukowski phase. And, you know, that's when that's appropriate. And I grew out of it.
To make a live record - something that has a lot of life in it - is difficult. After slaving away for years in the studio, when I hear a No Age record or when I hear Yeah Yeah Yeahs' first EP or when I hear DRI or really early punk stuff, it's just so powerful, so raw - and I know how hard that is to create. It's very deceptive. It's like a Dardenne brothers film - it seems like just a handheld camera following some people around in a trailer park, but it's incredibly difficult to do that.
I always say to people that I left hip-hop in '97, meaning that I departed from listening to predominately hip-hop and just started really getting into records from the late '60s, early '70s. And once I made that change, I realized how much great music was made back in the day, and it started to become apparent how much we've lost in music.
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