A Quote by Balthus

Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle. — © Balthus
Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
Painting what I experience, translating what I feel, is a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
I hate orthodox criticism. I don't mean great criticism, like that of Matthew Arnold and others, but the usual small niggling, fussy-mussy criticism, which thinks it can improve people by telling them where they are wrong, and results only in putting them in straitjackets of hesitancy and self-consciousness, and weazening all vision and bravery.
An honest self-portrait is extremely rare because a man who has reached the degree of self-consciousness presupposed by the desire to paint his own portrait has almost always also developed an ego-consciousness which paints himself painting himself, and introduces artificial highlights and dramatic shadows.
A liberation struggle is like a struggle against dirt. No matter what type of bath you takein three weeks you'll smell like you've never seen a bathtub. What we don't understand about a liberation struggle is you never win it, any more than you "win" clean dishes. As soon as you eat on them, the dishes are dirty again.
The unlived life is not worth examining. ... Self-awareness, self-examination, self-consciousness are for the quiet moments. In the arena they are paralyzing. The self must not be held out of the arena until living skills have been learned.
I've translated a lot of American literature into Japanese, and I think that what makes a good translator is, above all, a feel for language and also a great affection for the work you're translating. If one of those elements is missing the translation won't be worth much.
Years of standing in the limelight portraying other people for large amounts of money does not usually lead to a high degree of self-examination, let alone self-criticism.
Like most other creatives, I struggle with self-sabotage, self-doubt, and feeling like an imposter more often than not. I struggle with expressing myself, because it does sometimes feel easier or safer not to.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
Transcendent Oneness does not require self-examination, self-help, or self-work. It requires self-loss.
If the new government rejects our urgent appeal, we will, next year, in solidarity with our people, intensify our struggle for self-determination, our struggle for national liberation to establish self-government in our homeland.
I almost never do drawings, because I have found over the years that doing something in one medium and translating into another doesn't work. I like to conceive a painting in real scale and in color.
Sperry's thinking about subjective experience, consciousness, the mind, and human values makes a powerful plea for a new scientific examination of ethics in the workings of consciousness. These ideas were crystallized in his paper "The Impact and Promise of the Cognitive Revolution" (1993).
All liberation depends on the consciousness of servitude, and the emergence of this consciousness is always hampered by the predominance of needs and satisfactions which, to a great extent, have become the individual's own.
I feel like it's my duty to share my experience with self-acceptance. I don't want to bore people and talk about myself, but the biggest struggle for me was my body.
I don’t think there’s any problem with advancing consciousness and becoming more and more aware of the struggle, not with the world, not to convince other people to do anything. The really interesting think is the struggle with the self, and the relation with the self, and there is no end to the improvement that can be done there, the discoveries that can be made.
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