A Quote by Balthus
I always feel the desire to look for the extraordinary in ordinary things; to suggest, not to impose, to leave always a slight touch of mystery in my paintings.
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We don't tend to ask where a lake comes from. It lies before us, contained and complete, tantalizing in its depth but not its origin. A river is a different kind of mystery, a mystery of distance and becoming, a mystery of source. Touch its fluent body and you touch far places. You touch a story that must end somewhere but cannot stop telling itself, a story that is always just beginning.
I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society.
I love this life. I feel like I am always catching my breath and saying, 'Oh! Will you look at that?' Photography has been my way of bearing witness to the joy I find in seeing the extraordinary in ordinary life. You don't look for pictures. Your pictures are looking for you.
Human beings are like detectives. They love a mystery. They love going where the mystery pulls them. What we don't like is a mystery that's solved completely. It's a letdown. It always seems less than what we imagined when the mystery was present. The last scene in `Blow Up' is so perfect because you leave the theater still dreaming. Or the end of `Chinatown,' where the guy says `Forget it, Jake, it's Chinatown.' It explains so much but it only gives you a dream of a bigger mystery. Like life. For me, I want to solve certain things but leave some room to dream.
Always without desire we must be found, If its deep mystery we would sound; But if desire always within us be, Its outer fringe is all that we shall see.
The only difference between an extraordinary life and an ordinary one is the extraordinary pleasures you find in ordinary things.
You can't always do the extraordinary, in between you have to do the ordinary. Because if you didn't, what would constitute the extraordinary?
I'm a tomboy at heart. I always like to say that I'm an ordinary girl doing extraordinary things.
Poetry never loses its appeal. Sometimes its audience wanes and sometimes it swells like a wave. But the essential mystery of being human is always going to engage and compel us. We're involved in a mystery. Poetry uses words to put us in touch with that mystery. We're always going to need it.
Bad things do happen in the world, like war, natural disasters, disease. But out of those situations always arise stories of ordinary people doing extraordinary things.
I've no doubt that those photographs i took will make people look at everything in a more interesting way - the little tear on one piece of paper, the shadow on another. But good painting has always done that - made you see things. And the most ordinary can be the most extraordinary.
Wait," I say. "I think you're mistaken. Saying there is no dream is the same as saying everything is a dream. Isn't it? Everyone's a dreamer? Extraordinary things happen all the time even when we're awake. What I meant to suggest to you, if indeed that was me in your dream doing the suggesting, is that there is only one world. This one. The dream is real. The ordinary is the wonderful. The wonderful is the ordinary.
I feel I`ve always been on the outside and always on the edge of an abyss. The women I portray, and the woman I am, are ordinary but maybe find themselves in extra-ordinary circumstances, and what they do is at great cost.
I want to suggest some of the things that should begin your life's blueprint. Number one...should be a deep belief in your own dignity. Your worth and your own somebodiness... Always feel that you count. Always feel that you have worth, and always feel that your life has ultimate significance.
The interesting thing about Bettie Page that I discovered was to leave the mystery. She always retained a little mystery. Let there be some unknowns.
My films are very everyday, and people don't always want to go to the cinema to see ordinary lives. They want to see something a bit more extraordinary. I get that desire, but it's not the kind of film I want to make.
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