A Quote by Banks

I have a very feminine voice when I write, a very womanly point of view. My last name feels strong and powerful. To me, it's almost a bit masculine. I like the dichotomy of the two. Two sides perfectly represented within my name.
I have a really feminine voice, but I also feel quite powerful when I write. So my songs feel heavy, and that's how Banks sounds. It's a really short, powerful sound. It almost sounds masculine, and I like having that dichotomy.
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
I love being Courtney, but it almost feels like something different to drag for me - it's a part of me, it's not a parody, it's a form of expression for me, a way to give my feminine and masculine sides an outlet.
You might be raised as a boy in a very conservative environment and then somehow, at some point, there was a side of me that felt really powerful and sensual in a way that was more feminine. For me, it's not about living my life as a boy or a girl - but I'm also not trans - it's just that one day you wake up feeling masculine, and one day you wake up feeling feminine. The flickering in between those two states is what's most fertile for me.
Obama's middle name differs from my last name by only two vowels. Does the McCain-Palin campaign view me as a pariah, too? Do McCain and Palin think there's something wrong with my name?
In writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
[While designing] I'm mixing two lines of thought really: me as a designer for women and then me as a man. At the start of the design process it's the designer for women that comes to the forefront - sketching and revising the silhouette. Then the man comes into the picture - and I look at the shoe from a very masculine point of view. Then there is a conflict between the two sides of me. Sometimes the man wins, and sometimes the designer wins.
D.H. Lawrence, I think, defined the difference between writing an article and writing a novel very well. He said, in writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
My name is very important to me. I'm representing the Wade name. I've got the name on the back of my jersey when I play. I walk around with that name. That's my family name, the name my son will grow up with. So it's very important to me to keep the level of maturity that I have.
My style very much leans towards the masculine, but I think I am feminine in it - I like the feminine body in masculine shapes. The androgynous look suits me.
You know, God, the power that makes life, whatever it is, had just to make two things, masculine and feminine, for all this mischief. And made them so there is this entirely different point of view about love and sex.
You know, God, the power that makes life, whatever it is, had just to make two things, masculine and feminine, for all this mischief. And made them so there is this entirely different point of view about love and sex
The last name is pronounced Jill-en-hall. It's spelled with two l's, two a's. We have a song in my family; G-Y-Double L - EN - HAAL spells Gyllenhaal. It's a Swedish name. It's a family heirloom set to music.
I do have two data identities. I have my name, Bruce Sterling, which is my public name under which I write novels. I also have my other name, which is my legal name under which I own property and vote.
Everyone has a masculine and feminine side; masculine qualities and feminine qualities. We've all got these sides to ourselves. And clothes can tell that story. People would think this is very unsympathetic, but I would always say to people, you don't actually need to go through with an operation, can't you just be? You are who you are! But then people say to me, "Oh, you're really dreadful, how would you know?".
Look, "Gender trouble" includes a critique of the idea that there are two ideal bodily forms, two ideal morphologies: the masculine and the feminine. I want to suggest that today the intersex movement is very engaged with criticizing that idea.
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