A Quote by Banksy

The Art we look at is made by only a select few. A small group create, promote, purchase, exhibit and decide the success of Art. Only a few hundred people in the world have any real say. When you go to an Art gallery you are simply a tourist looking at the trophy cabinet of a few millionaires
When you go to an art gallery you are simply a tourist looking at the trophy cabinet of a few millionaires.
Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.
I worked in an art gallery for a few years, doing administrative assistance stuff, and it exposed me to what the whole world of art dealers and the art market was about.
Art shouldn't be something that you go quietly into an art gallery and dip your forelock and say 'I have to be very quiet, I'm in here amongst the art.' It's here, art's everywhere. It's how you use your eyes. It's about the enjoyment of visual things. And it's certainly not for any one group of people.
Art is not an elitist gift for a few select people. Art is for everyone.
Popular success is a wonderful gift if it happens, but like money, it's not the motivation. The effort to create a work of art that is true and potentially lasting, that is the very best work of art you can create at that point in your life - a book that may only reach or move a few people but will seem to people somehow transformative. That's the ideal; that's always the motivation.
PROMOTE A REVOLUTIONARY FLOOD AND TIDE IN ART. Promote living art, anti-art, promote NON ART REALITY to be fully grasped by all peoples, not only critics, dilettantes and professionals.
The effort to create a work of art that is true and potentially lasting, that is the very best work of art you can create at that point in your life - a book that may only reach or move a few people but will seem to those people somehow transformative. That's the ideal; that's always the motivation.
The sun does not shine for a few trees, and flowers, but for the wide world's joy. The lonely pine on the mountain-top waves its sombre boughs and cries, 'Thou art my sun.' And the little meadow violet lifts its cup of blue, and whispers with its perfumed breath, 'Thou art my sun.' And the grain in a thousand fields rustles in the wind, and makes answer, 'Thou art my sun.' So God sits effulgent in heaven, not for a favored few, but for the universe of life; and there is no creature so poor or so low that he may not look up with childish confidence and say, 'My Father, Thou art mine.
I do not want art for a few any more than education for a few, or freedom for a few.
Studying art history is actually one of the few ways of getting a good job in the arts sector. It's hard to be a museum curator without it, work in any senior position in an auction house or gallery, or become a serious art critic.
Just look at the statistics: Each university has tens of thousands of applications for students who want to be in art school, but they can only accept a few hundred.
Any critic will tell you that there are a few dealers where you get a little bit scared to go into their gallery, and that's unfair to them, to yourself, to the reader, and to the artist. But I just want to look. When I'm done looking and writing, I love talking to art dealers. They are so alive and interesting and amazing - from Larry Gagosian all the way on down.
In 1967 there was no place for photography in a contemporary art gallery. It was almost impossible to get an art dealer to look at, let alone exhibit, anything photographic.
The Winnipeg Art Gallery has a good collection of Inuit art, and most of what I've seen I've seen there or in the few books I have. I should spend more time researching.
In China, we don't have any contemporary art museums. Until a few years ago, we didn't even have a gallery.
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