A Quote by Bappi Lahiri
Way back before 1980, prior to 'Disco Dancer' breaking into the collective consciousness of filmgoers, I had come to Chennai to compose for a film called 'Suraksha.'
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I was the first Indian music composer to win the China Gold Award for 'Jimmy Jimmy' from 'Disco Dancer.' Adam Sandler repeated the song in his film 'Zohan.' 'Disco Dancer' is historical, as are 'Sharaabi' and 'Namak Halal.'
In the world there's a thing called collective consciousness. All of us billions of human beings together create that collective consciousness. With all the problems in our world, you can see that the collective consciousness is not so high.
You feel the communion of the collective consciousness in that moment when you're on stage doing something and the audience is absolutely with you. And the audience becomes a collective entity as well. They come in from separate places and socio-economic backgrounds, and places across the world and days that they've had, and then they come together and they become one collective thing, and experience something in a collective way.
I did a short film called 'Disco' and won an award for Best Supporting Actor at an indie film festival, and that was nice. Hopefully there's lots more to come.
Everyone abroad knows me because of the songs 'Jimmy Jimmy Aaja Aaja' and 'I Am A Disco Dancer,' both from 'Disco Dancer.'
Samadhi is the journey from individual to collective consciousness. The steps of Samadhi are the steps towards reaching the collective consciousness. In meditation, the more we radiate love, compassion, peace, harmony and tranquility, the more is our contribution towards the collective consciousness. The more we positively contribute towards the collective consciousness the more is our progress in Samadhi.
In the field of consciousness research-and also in physics and astronomy-we are breaking past the cause-and-effect, mechanistic way of interpreting things. In the biological sciences, there is a vitalism coming in that goes much further toward positing a common universal consciousness of which our brain is simply an organ. Consciousness does not come from the brain. The brain is an organ of consciousness. It focuses consciousness and pulls it in and directs it through a time and space field. But the antecedent of that is the universal consciousness of which we are all just a part.
There was a movement called 'disco sucks', it was a shame to like disco, but then there was no music to dance to, so some DJs started to use old disco records, but the B-sides and the acapellas, and we began producing beats with drum machines.
The only dancing I did was at the discotheques. I was a very good disco dancer. I say that I learned disco dancing at the wrong places.
That big hit 'Get Lucky' is a disco song - not only the melody and the whole concept, but we had one of the great disco guys and one of the best guitarists ever, Nile Rodgers, to play on it. So that's great disco, but a modern disco, because it has great vocoders and synthesizers.
Normally, when people compose for film, you give them the film, and they look at it, and they compose it.
I have called this phenomenon of stealing common knowledge and indigenous science "biopiracy" and "intellectual piracy." According to patent systems we shouldn't be able to patent what exists as "prior art." But the United States patent system is somewhat perverted. First of all, it does not treat the prior art of other societies as "prior art." Therefore anyone from the United States can travel to another country, find out about the use of a medicinal plant, or find a seed that farmers use, come back here, claim it as an invention or an innovation.
In film, a dancer should always be shot from head to toe, because that way you can see the whole body and that is the art of dancing. Nowadays they shoot the nose. Left nostril. Right nostril. Hand. Foot. Bust. Derrière. The film prevents you from determining who is a good dancer and who is not.
Before, prior to. There is no difference between these two except length and a certain affectedness on the part of 'prior to.' To paraphrase Bernstein, if you would use 'posterior to' instead of 'after,' then by all means use 'prior to' instead of 'before.
My marriage was breaking up, and my marriage with Chong was breaking up. I had to come back and kind of start on my own again.
The world is a projection of our collective consciousness. If our collective consciousness reaches that place of peace, harmony, laughter and love, it will be a different world.
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