A Quote by Bappi Lahiri

I was about 19 when I began working for Hindi films. — © Bappi Lahiri
I was about 19 when I began working for Hindi films.
I like doing Marathi films. I am not too keen on Hindi TV shows. It's very tough to get Hindi films, but if a good script and role comes up in future, I will surely pick it up.
Ever since I was a little kid, the only thing that fascinated me, excited me, and engaged me was Hindi films. I didn't know anything beyond Hindi films. I was a 'filmi bachcha.'
I will not leave my South films for a Hindi film. I want to be sincere to my South film makers and commitments. Only if my dates are not clashing with any of my South films will I do Hindi films.
Until Ranveer was born in August 2005, three years into our marriage, I was working in Hindi or South Indian films. After marriage, I began learning how to run a house. My mother wanted to teach me the basics, but I was never home. So when my mother-in-law taught me chores, it was hard to adjust.
I made my first film on 16mm. Then I began using 35mm.Then I began working in Hollywood. And I began to really understand how films were made by professionals. I have to say I wasn't very impressed.
I watch a lot of Hindi films. I live in Hyderabad, where 60 per cent of the people speak Hindi.
I remember breaking the news to both my parents that I wanted to be a director, and they both looked very doubtful. They didn't know what a closet Hindi film buff I was. I used to dance to old Hindi films songs on the sly, so my decision to be a part of Hindi cinema was shocking even for my parents.
I haven't even grown up on Hindi films because my Hindi is bad; I am a Parsi and we speak English or Gujarati at home.
Directing a Hindi movie for the first time was easy because Hindi films have been batwing doors for me since 1992.
I want to do exciting work. For the same reason, I was fine working in Marathi, Hindi or French films for that matter.
My detractors are only accusing me of blowing up cars. What they have not realised is that my films have the potential to cross language barriers. New avenues have opened for Hindi films, and I'm proud and happy about it.
I guess people feel that if you're working with good directors and are known in the Hindi film industry, then you won't work in South films. However, I believe that films have no boundaries of language, religion, or cast. If it's a good script and a good director, I can do a film in Spanish as well.
I've learnt that there's absolutely no difference in Telugu and Hindi industries. Everything is almost identical. The only difference is that Hindi films have a wider release.
A few words of Hindi appear here or there, but it's all Urdu. I feel that if the popular culture, which is what Hindi films are, uses Urdu, it's not going to diminish.
I have been constantly working. It's just that it has not been only Hindi films.
There is no difference working for Hindi or South films; the only difference is the language.
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