A Quote by Barack Obama
Let me tell your something. I'm from Chicago. I don't break.
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When I ask, “How are you?” that is really what I want to know. I am not asking how many items are on your to-do list, nor asking how many items are in your inbox. I want to know how your heart is doing, at this very moment. Tell me. Tell me your heart is joyous, tell me your heart is aching, tell me your heart is sad, tell me your heart craves a human touch. Examine your own heart, explore your soul, and then tell me something about your heart and your soul.
I want to do 'Chicago P.D.' for as long as it's on the air. I love the show; I love the Dick Wolf family. I think he's created something genius with the crossovers and having everyone on these shows inhabit the same universe as far as 'Chicago Med' and 'Chicago Fire' and 'Chicago P.D.'
I always tell Cristiano before training, 'If you do stepovers on me, I will break your legs and rip up your shirt.' I have no wish to have the mickey taken out of me all week.
Every time I try to set something in Chicago, I get intimidated by 'Augie March.' It's easy to set something in Indianapolis - we don't have 'Augie March' here. But I love writing about Chicago, and I love being there and imagining lives in Chicago. I hope to set something there in the future, but it's intimidating.
It Went By Me something very beautiful just went by me something not to tell in words in feelings so fragile so wild something yet to tell is no longer why and when it left i can't tell.
You be as angry as you need to be,” she said. “Don’t let anyone tell you otherwise. Not your grandma, not your dad, no one. And if you need to break things, then by God, you break them good and hard.
I tell you this to break your heart, by which I mean only that it break open and never close again to the rest of the world.
Then I will tell you something. I do not believe in it. Forty years among men has consistently taught me that they are not amenable to commonsense. Show them the red tail of a comet, fill them with black terror, and they will all come running out of their houses and break their legs. But tell them one sensible proposition, and support it with seven reasons, and they will simply laugh in your face.
Let me tell you, a discussion that starts, 'I'll tell you something you do that irritates me, if you tell me something I do that bothers you,' never ends in a hug and a kiss.
I have something to tell you." "How, you have something to tell me?" "You have understood me exactly." "Well, I am listening." "Listening? Then, you wish me to tell you?" "Yes, that is it. I am listening, and therefore I wish you to tell me." "Shall I tell you now?" "No.
I moved to Chicago and began attending the School of the Art Institute of Chicago. The students and teachers I met in Chicago were politically active and also passionate about the same things that I was interested in. It was a great match for me.
I tell my coach all the time "Hey, listen, coach. You know the hardest person on me isn't you, right? It's me." I'm the hardest person on myself, my biggest critic, always pushing. But there are days when I have to tell myself, "Relax, breathe, you're too stressed out." When it's no longer fun, when it's no longer something you can tolerate, that's when you have to take a break.
A slow smile curved over my face, and I leaned down over him. "No," I said. "Wishes are lies. Tell me you're going to leave. Tell me you're not going to stay. Tell me that it's only for a while so I can enjoy today," I whispered in his ear, as if saying it louder would break me. "And when you go, don't think me cold when I don't cry. I can't cry anymore, Pierce. It hurts too much.
Here's what I love: when a great writer turns me into a Jew from Chicago, a lesbian out of South Carolina, or a black woman moving into a subway entrance in Harlem. Turn me into something else, writers of the world. Make me Muslim, heretic, hermaphrodite. Put me into a crusader's armor, a cardinal's vestments. Let me feel the pygmy's heartbeat, the queen's breast, the torturer's pleasure, the Nile's taste, or the nomad's thirst. Tell me everything that I must know. Hold nothing back.
Tell me who you are. You need not tell me your name. Names have power, even human ones. Tell me where you live and what you do with your living.
I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.
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