A Quote by Barack Obama
I use a different style if I'm speaking to a big crowd; I can gin up folks pretty well. But when I'm in these town hall settings, my job is not to throw them a lot of red meat. I want to give them a sense of my thought process.
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"Yeah, well, if you eat red meat, it stays in your colon for fifteen years!" Good! I paid for it; I want it in my ass, okay? I want them to find a meat sweater from my esophagus to my asshole when they open me up in the end! "This guy's covered in meat! He's Meat-Man! He's Meat-Tracheotomy-Man!"
There are many people who don't do well on a vegetarian or vegan diet, that for them, meat is a very nutritious food. So, I'm not prepared to give up meat. I don't think we need to give up meat, but we certainly need to change the way we raise meat and diminish the amount of it in our diet.
I feed off the crowd a lot. I love to see their faces, singing the words. I feed off their emotions. I want to give that back to them. I want God to speak through me to the crowd. I want to get them excited about their faith. I always want to give it my heart and soul.
I believe in red meat. I often said: red meat and gin.
I want to give people theories, I want to expose them to scientific stories that force them to re-evaluate the way they use these three pounds of meat inside their head.
One thing that probably is unique at Activision is that we really spend a lot of time up front with our audiences, and in big quantities and with a very thoughtful process, to really try and draw out from them what it is that they would like to play. So we have a pretty good sense going in what the expectation of the audience is.
When you use the same actors a lot, you get to know them and you realize that one movie can't explore all the talent that they have. You really have to give them several different kinds of roles, in completely different movies, to push them and to push yourself.
They're pretty good actually, Hall & Oates. I gotta give them credit. They got a lot of toe-tappers.
Before I was drafted by the Red Sox, I really didn't know that much about them, but in talking to people, they said they weren't known for stealing a lot of bases. It's nice coming to an organization that doesn't necessarily use the run game and still have them give me the green light to steal and use my speed.
You might not be a big fan of politics, but you can still participate. All you need to do is vote for people you believe will work on these issues, and if they don't work the way they should, then it is your responsibility to call them, organize a town hall, and demand that they show up - hold them accountable.
Men want to make the best use of time and want to see how something can inform them and give them a stronger sense of power.
Bernie Sanders is usually speaking to the converted. He fires them up. It`s a completely different style of campaigning that he`s allergic to.
I think women sometimes stop flirting with their husbands, and you can't. Men want to want feel good - they want to feel like their women love them. When they come home from work, don't start nagging them with questions. Go up to them and give them a big kiss and ask them how their day was.
We have different expectations for different groups of people. We tend to modulate the degree with which we're forgiving or punitive depending on how well we know folks, or how much we consider them peers, or how much social capital we've invested in them. That has to do with race, class, gender, and socioeconomic status. We have a tendency to bend over backwards to forgive folks we think of as part of "the us." The question of who we define as "the us" is a lot of what constitutes how we punish who we punish.
I really want the audience to place close attention to the movement, possibilities of movement, possibilities of trespassing boundaries and observe what's possible in different social settings, and different settings of class designation as well.
In my films, I like to use the same actors again and again, so I know them really well and can bring their unique personalities into the process. However, as a director, I have strict control over the way they express their personalities. I don't want them to go beyond what I need from them, but I also don't want them to underplay. So I modulate their performances very closely, within a certain range of expression.
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