There's a lot of people talking about elitism and all of that.Yes, I went to Princeton and Harvard, but the lens through which I see the world is the lens that I grew up with. I am the product of a working class upbringing.
My mission is to change the way people see the world. Everybody has a perspective or a lens they see things through, and hopefully I can adjust that lens or change that lens so that they see things from a different perspective, a different lens.
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
We must look at the lens through we see the world, as well as the world we see, and that the lens itself shapes how we interpret the world.
You carry that through and adapt it to a camera lens, but you're quite right, you cannot be sure of what an audience is going to do. You don't know what's going to happen to the piece you're doing anyway. You don't know how it's going to be edited. There are a lot more unknowns in cinema. But that you have to readily accept. That's when, I think, you have to forget about intellect, to a degree. Intuition is very important when you're working with a lens, I believe, for what the lens is doing, too.
It helps to see the world through a different lens, and that's what we wanted to do with Instagram. We wanted to give everyone the same feeling of discovering the world around you through a different lens.
I think, you have to forget about intellect, to a degree. Intuition is very important when you're working with a lens, I believe, for what the lens is doing, too.
I am a Mormon woman, I am not orthodox. It is the lens through which I see the world. I hear the Tabernacle Choir and it still makes me weep.
I've been lucky to travel and work all over the world through the lens of the back of the house, and I love that monocle. I love that lens, because it's real people.
Let Girls Learn issue has always been personal for me. I grew up in a working-class neighborhood on the South Side of Chicago where most folks, including my parents, didn't have college degrees. But with a lot of hard work - and a lot of financial aid - I had the chance to attend Princeton and Harvard Law School, and that gave me the confidence to pursue my ambitions.
The self is merely the lens through which we see others and the world.
With a short lens I can reveal the hidden things near at hand, with a long lens the hidden things far away. The telephoto lens provides a new visual sensation for people: it widens their horizons. And, conversely, the things under our nose invariably look good when blown up really big.
[It's] the lens through which your brain views the world that shapes your reality. And if we can change the lens, not only can we change your happiness, we can change every single educational and business outcome at the same time.
Paradigms are powerful because they create the lens through which we see the world.
If you look at yourself and life through the lens of your ego, you'll feel isolated, ganged up on, alone, dfferent, and not part of the crowd. If you look through the lens of Spirit, knowing we're all one, you'll always feel safe, secure, ad loved.
All the events of your past have formed a lens, or paradigm, through which you see the world. And since no one's past is exactly like anyone else's, no two people see alike.
I think the 50mm lens is an extremely good discipline lens; it requires you to see in a more refined way, not just tighter.