A Quote by Barack Obama

When I was in Washington, I would usually get home from the Capitol at about 7:30 or 8, and I would try to write as much as possible. It was almost all in the wee hours. — © Barack Obama
When I was in Washington, I would usually get home from the Capitol at about 7:30 or 8, and I would try to write as much as possible. It was almost all in the wee hours.
I would like to write a novel, or at least try to write one, although my motives are not entirely pure. For one thing, I get asked about writing novels so much that I feel guilty about never having written one. And although I have no strong desire to write a novel, I would hate not to try. That would just be silly. On the other hand, I hate the idea of slogging through something that turns out to be not good.
I try to write about small insignificant things. I try to find out if it’s possible to say anything about them. And I almost always do if I sit down and write about something. There is something in that thing that I can write about. It’s very much like a rehearsal. An exercise, in a way.
I think when we were starting out, it was more about imitating our songwriting heroes. We would try to write songs like Neil Finn, or we would try to write songs like Ray Davies, or we would try to write songs like Glenn Tilbrook.
When my son was born, I was busy with the shoot of the film. So sometimes I would come in the wee hours and he would be sleeping and when he is awake, I am gone for work.
I would get up at 3 in the morning and write. Or sometimes I would write at midnight. Or I would write when my child napped. It wasn't a burden. I was so enthused about what I was doing at the time that I really didn't mind.
I'm a morning person because I learned to write my novels while still practicing law. I would get to the office at 6:30 a.m. and write until other people arrived, around 9. Now I still do that. I start at 6:30 or 7, and I'll write until 11, then take an hour off, then work until about 2 p.m. By then my brain has had enough.
I was always a guy that would study for three hours and barely get an A on the test and you would have another guy next to me who would study for maybe 30 minutes and ace it.
I would like to try to write poetry that would do everything I wanted poems to do, but also be readable by any person. I didn't know if this was possible, but I suddenly knew, in that few-times-in-a-lifetime sort of way, that this would be my life's search.
I try to treat writing as part of my daily routine: I write for at least two hours, five days per week. I tend to write at home, in a room I've set aside for the task. I don't work well in cafes or busy, loud spaces, although I wish I could. It would mean greater flexibility for me.
I'm a person who sometimes tends to worry too much about cricket. Previously I would think about the game for probably 15 hours, but now with the presence of my wife it has come down to ten hours, and I would like to bring that down to about nine.
It would get really alienating, to have my face be the face of a cause. So much just comes down to the songs. I just want to give us the opportunity to write great songs. Even our work in Haiti is limited by how good our songs are. We just need to get rid of as much of the bullshit as possible, so we can have a life, so we have something to write about.
The hardest thing is spending twelve hours a day accommodating the rest of the world, then going home at night and criticizing it. I would be curious about what I'd write if I didn't have to worry about offending.
Web searching and cellphone use both flourish in the wee hours. Before the dawn of the web, I would stay up watching television. But there is something soporific about television: I would often nod off. Not so when I'm online. As technologies expand, these problems may only worsen.
There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"
Usually I go to the studio to write lyrics and compose music. I try to be a dad as much as possible at home.
If I would get an album out every eight months and if I would write songs that were more up-tempo and try to focus more on making singles, then I could probably get more attention. But I don't think the albums would be very fun to listen to, and it would be a drag for me.
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