A Quote by Barack Obama

Generally speaking, people who know me will tell you that my public persona is not that different from my private persona. — © Barack Obama
Generally speaking, people who know me will tell you that my public persona is not that different from my private persona.
Different presidents are different as far as their public persona vs. their persona meeting with advisers. For example, George Bush was pretty much the same in person as when he was speaking publicly. I think Donald Trump has a stage persona and he also has a temperament when meeting with his advisers. Now, the positions are the same, but the attitude is a little bit different.
There's the private persona and the public persona and the two shall never meet
There's the private persona and the public persona and the two shall never meet.
Humans are different in private than in the presence of others. While the private persona merges into the social persona in varying degrees, the union is never complete. Something is always held back.
A lot of people mistake the persona that I create in poetry and fiction with me. A lot of people claim to know me who don't really know me. They know the work, or they know the persona in the work, and they confuse that with me, the writer. They don't realize that the persona is also a creation and a fabrication, a composite of my friends and myself all pasted together.
You show up at high school, there's all these kids you don't know, and you're terrified that people will have some kind of wrong or unpleasant impression of you. You just don't want anything to ruin your public persona, because you actually have a public persona in high school.
I had a persona as a player, and I know this will come as a shock, but I liked to talk. But don't let the persona overshadow the person. The persona liked to have fun. The person knew when it was time to get to work.
When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.
People speculate on your personal life all the time anyway. So I just think it's important to keep my private life private and my public persona more into music, you know?
When I was a kid in San Diego, I would read fashion magazines and Interview magazine, and all of that really inspired me to create a persona. So by the time I moved to New York, in the early '80s, I'd learned how to create a persona, and I knew what my persona would be.
You often see politicians who try to put on a different persona; they think they should be more jolly or serious. Invariably, the persona they choose is worse than their own.
If you go on stage, or on TV, then there is an impetus that comes about to be a persona. A completely different character. But when you're someone like me, you don't want to have a persona. I want to be exactly who I am on stage.
Grief is at once a public and a private experience. One's inner, inexpressible disruption cannot be fully realized in one's public persona.
You need someone to ground you because if you start believing that your public persona is your only and real persona, then you're looking at a very long and lonely old age.
There is a blueprint that young female singers seem to follow to make it, to make some noise when they first come out. And it's a hyper-sexualized persona. And the thing is that it works. And they do make noise. But the problem is if it's not authentic to you, then you're trapped in that persona. And you have to live that persona 24/7.
There is your persona and then there's the real you. I was living inside my persona too much.
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