A Quote by Barack Obama

Iran is the latest expression of a deep, ancient, powerful culture that's different than ours. And we don't know how it's going to play itself out. — © Barack Obama
Iran is the latest expression of a deep, ancient, powerful culture that's different than ours. And we don't know how it's going to play itself out.
Iran is an ancient land, home to a proud culture with a rich heritage of learning and progress. The future of Iran will be decided by the people of Iran. Right now, the Iranian people are struggling with difficult questions about how to build a modern 21st century society that is at once Muslim, prosperous, and free. There is a long history of friendship between the American people and the people of Iran. As Iran's people move towards a future defined by greater freedom, greater tolerance, they will have no better friend than the United States of America.
When I go to Iran, I see... that there are all different shades and colors in Iran, from atheist to religious zealot. So Iran is no different than any other country. I mean, they are connected with the rest of the world.
Feminists have to question, not just all of Western culture, but the organization of culture itself, and further, even the very organization of nature. Many women give up in despair: if that's how deep it goes they don't want to know.
A beautiful woman in our culture, and I would like to say, you know, this was different in 1962, but it still exists today - I know a lot of these women -treats different in a different way; meaning that if you're a beautiful woman, you're incredibly powerful within our culture. The world operates differently for you. Then, at a moment in time, and it has nothing to do with you, it's like the carpet is just ripped out from under you, and the way that you've operated in the world no longer works.
At the time when talk of war, intimidation, and aggression is exchanged between politicians, the name of their country, Iran, is spoken here through her glorious culture, a rich and ancient culture that has been hidden under the heavy dust of politics.
You get into the game and you know you're probably not going to be in there long. It's like, while I'm in here, I better not mess up. That's the completely wrong mentality to have. That works against how I play because how I play is 150 percent, going all out, going crazy.
Every culture has beauty and decorations of body. This is not of itself superficial, this is very human. Decorating when it becomes out of balance, when it becomes about the materialism, about how many shoes, how many handbags, how expensive they are, and the status, then it's no longer just about an expression or looking beautiful, that's more about 'I HAVE MONEY, I AM RICH'. It felt out of balance.
Only the truth and its expression can establish that new public opinion which will reform the ancient obsolete and pernicious order of life; and yet we not only do not express the truth we know, but often even distinctly give expression to what we ourselves regard as false. If only free men would not rely on that which has no power, and is always fettered upon external aids; but would trust in that which is always powerful and free the truth and its expression!
Something aches at the very core of me, something ancient and deep and stronger than words: the filament that joins each of us to the root of existence, that ancient thing unfurling and resisting and grappling, desperately, for a foothold, a way to stay here, breathe, keep going.
Within itself the soul sees all things more truly than as they exist in different things outside itself. And the more it goes out unto other things in order to know them, the more it enters into itself in order to know itself.
It's pretty clear in how things are moving in empirically supported treatments that we're going to be speaking to the culture in a different voice. It's going to have some echoes of some of the deeper clinical and spiritual and religious traditions that had wisdom in it. If we're not going to get there through religious means and things of that kind, we're going to have to find a way to put it in the culture in a different way, because we need something right now other than yet another cable shoutcast or yet another Internet Web page showing us the cellulite on the actress's rear end.
Realistically, my favorite thing really is going out and seeing the different problems that people have in different geographical areas. Not just from a standpoint of the area that they may be in or the city they may be in but the different kind of car culture or motorcycle culture there is.
The Ancient One, as you know, is the master, is the Sorcerer Supreme, and [Doctor] Strange comes to learn how to heal himself and The Ancient One has got the knowledge. And so what you're seeing today is a part of the whole training section when he's learning the moves and digging deep. So it's all about that, it's all about trying to push him to get there.
Isn't it time that these most ancient sorrows of ours grew fruitful? Time that we tenderly loosed ourselves from the loved one, and, unsteadily, survived: the way the arrow, suddenly all vector, survives the string to be more than itself. For abiding is nowhere.
Generally speaking, there's going to be times when it's going to be a little more challenging, depending on how the rush goes. But there are passing lanes that open up within the pocket. I think each play is kind of its own thing. They all play out different.
The spirit of playful competition is, as a social impulse, older than culture itself and pervades all life like a veritable ferment. Ritual grew up in sacred play; poetry was born in play and nourished on play; music and dancing were pure play....We have to conclude, therefore, that civilization is, in its earliest phases, played. It does not come from play...it arises in and as play, and never leaves it.
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