A Quote by Barack Obama

I always tell young people in particular: Do not say that nothing's changed when it comes to race in America, unless you lived through being a black man in the 1950s or '60s or '70s.
I gotta tell you, Rickey Medlocke lived in some of the most magical years in this world's history. I lived in the '60s. I lived in the '70s, right into the '80s, and man, it was bad to the bone.
Through protest - especially in the 1950s and '60s - we, as a people, touched greatness. Protest, not immigration, was our way into the American Dream. Freedom in this country had always been relative to race, and it was black protest that made freedom an absolute.
I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent.
I don't think Luke Cage as a superhero is something that has changed dramatically from the '70s to now. He's a black man going through the same thing as other people of colour - it's just that he has superpowers.
The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed
The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed.
There's always opposition when you speak on topics like I'm speaking on. But I'm a black man in America. I grew up black in America. You can't tell me that what I've experienced and what I've seen is not true.
I lived in France during the '60s. I was there from the early '60s until 1970, so my view of the '60s is more global. It was a time of tremendous transition, not only for America but for the whole world.
People always say 'You do racial comedy.' And I don't, exactly. I do cultural comedy. Because race and culture are two different things. There's black people from America and then there's black people from Africa. Racially, they're the same; culturally, they're extremely different.
When I go to small races in Denmark, it's what I imagined what F1 would have been like back in the 60s and 70s. After the 70s it became a bit different. But 50s and 60s at least, people were only there because they love it.
You can tell when people don't like you. Especially being a black man born and raised in the South in America, you can tell when people don't like you. It's just a skill that you get.
I have the lived experience of a Black man in America, also raising Black kids, but I also have the lived experience of being a responsible person who is responsible for the resourcing and the outfitting of a law enforcement agency.
Racism plagued America throughout the '60s, into the '70s, through the '80s; it continued in the '90s and in the first decade of the new millennium; and it persists today.
There's quite a few people getting into that - new acts coming along that are using a lot of stuff that happened in the 50s and 60s. They're completely ignoring the 70s which is kind of a turn on because to me nothing has really gone down in the 70s.
Black is confusing. Where does the line start and stop with what is black and what isn't black? People that are mixed-race, or, imagine being from Sri Lanka or Bangladesh, people might say you're black but your features are so non-black, like you've got straight hair, you've got like a sharper nose, or such.
Until the image of the black man in the mind of the black man has been changed, there will always be delinquency, parental and juvenile. The idea is not to change the attitude of the white man to the black man but to change the attitude of the black man to himself.
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