A Quote by Barbara Amiel
Of course the barbarians' aim of world domination has not escaped the attention of the Europeans, perhaps because unlike us they are closer to the walls.
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Here in Canada, in the Western world, we are inside the walls. Outside the walls are the barbarians.
I'm trying to cause people to be interested in the particulars of their lives because I think that's one thing literature can do for us. It can say to us: pay attention. Pay closer attention. Pay stricter attention to what you say to your son.
As a Polish American, I grew up hearing the phrase 'nothing about us without us.' To Eastern Europeans, the vow is a painful reminder of how Joseph Stalin, Winston Churchill and Franklin D. Roosevelt carved up their small countries after World War II, placing them, against their will, under Soviet domination.
Unlike Europe, China can't be intimidated. Europe backs down if the United States looks at it the wrong way. But China, they've been there for 3,000 years and are paying no attention to the barbarians and don't see any need to.
Rather than going after our walls and barriers with a sledgehammer, we pay attention to them. With gentleness and honesty, we move closer to those walls. We touch them and smell them and get to know them well. We begin a process of acknowledging our aversions and our cravings. We become familiar with the strategies and beliefs we use to build the walls: What are the stories I tell myself? What repels me and what attracts me? We start to get curious about what’s going on.
Will not perhaps the temporal power of Islam return and with it the menace of an armed Mohammedan world, which will shake off the domination of Europeans - still nominally Christian - and reappear as the prime enemy of our civilization? The future always comes as a surprise, but political wisdom consists in attempting at least some partial judgment of what that surprise may be. And for my part I cannot but believe that a main unexpected thing of the future is the return of Islam.
China never had good intentions. Since the late 1980s, its stated aim has been world domination, technologically and militarily.
The brick walls are there for a reason. The brick walls are not there to keep us out. The brick walls are there to give us a chance to show how badly we want something. Because the brick walls are there to stop the people who don’t want it badly enough. They’re there to stop the other people.
Politics are receiving a lot of attention because we have nothing else to interest us. No nation in the history of the world was ever sitting as pretty. If we want anything, all we have to do is go and buy it on credit. So that leaves us without any economic problem whatever, except perhaps some day to have to pay for them. But we are certainly not thinking about that this early.
Every country should realize that its turn at world domination, domination because its rights coincided more or less with the character or progress of the epoch, must terminate with the change brought about by this progress.
In the ancient world individuals have sold themselves as slaves, in order to eat. So in society. Here is a witch-doctor who can save us from the sorcerers - a war-lord who can save us from the barbarians - a Church that can save us from Hell. Give them what they ask, give ourselves to them bound and blindfold, if only they will! Perhaps the terrible bargain will be made again. We cannot blame men for making it. We can hardly wish them not to. Yet we can hardly bear that they should.
It's very important for me to do things like talk therapy. That's where you begin to see the walls that your illness has put up as a way to protect yourself... but of course, those walls also keep us from getting to the truth of things.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
China has been there for 3,000 years, has contempt for the barbarians, is overcoming a century of domination, and simply moves on its own. It does not get intimidated when Uncle Sam shakes his fist. That's scary.
Eroticism is first and foremost a thirst for otherness. And the supernatural is the supreme otherness. This is perhaps the most noble aim of poetry, to attach ourselves to the world around us, to turn desire into love, to embrace, finally what always evades us, what is beyond, but what is always there – the unspoken, the spirit, the soul.
We feel closer to the drawings on the walls of Chauvet than the painting of, say, an Egyptian mural. These artists are not remote ancestors; they are brothers. They saw like us; they drew like us. We wear essentially the same clothes against the cold.
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