A Quote by Barbara Bush

To this day George Sr. is the soft touch and I'm the enforcer. I'm the one who writes them a letter and says 'Shape up!' He writes, 'You're marvelous.' — © Barbara Bush
To this day George Sr. is the soft touch and I'm the enforcer. I'm the one who writes them a letter and says 'Shape up!' He writes, 'You're marvelous.'
One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.
It's been said that happiness writes white. It doesn't show up on the page. When you're on holiday and writing a letter home to a friend, no one wants a letter that says the food is good and the weather is charming and the accommodations comfortable. You want to hear about lost passports and rat-filled shacks.
A man always writes absolutely well whenever he writes in his own manner, but the wigmaker who tries to write like Gellert ... writes badly.
A man who writes well writes not as others write, but as he himself writes; it is often in speaking badly that he speaks well.
Joseph [Millar] is much more disciplined than I am. He's up every morning meditating, then he writes, and he reads throughout the day. He probably reads ten books to my two and writes twice as much as I do.
He who writes prose builds his temple to Fame in rubble; he who writes verses builds it in granite. - Edward George Earle Lytton Bulwer-Lytton, first Baron Lytton
I'll read anything Anne Carson writes, anything J. M. Coetzee writes, and anything Cormac McCarthy writes. I'll drop whatever I'm doing to read a new Mary Ruefle essay.
Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.
Lily Brown writes with and against things in poems that are coiled up tight as springs (or snakes). A believer in the power of the line, she writes, 'I think the plastics/and sink them' then 'Where is the sand/man hiding the dirt.' These terse, biting poems will make you look around and wonder.
A good journalist is not the one that writes what people say, but the one that writes what he is supposed to write.
No one writes anything worth writing, unless he writes entirely for the sake of his subject.
One who writes a poem writes it because the language prompts, or simply dictates, the next line.
When I was a kid, we used to play this thing called 'the writing game' with our father. My brother and I would play it - where first person writes a sentence, and the second person writes a sentence, and the third person writes a sentence, and so on until you get bored and have to go to bed.
The one who writes a poem writes it above all because verse writing is an extraordinary accelerator of conscience, of thinking, of comprehending the universe.
You don't really know a woman until she writes you a letter.
He that writes to himself writes to an eternal public.
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