A Quote by Barbara Cook

I sang for my family. And I think probably the first time I sang and got paid for it, I was about 6 or 7. — © Barbara Cook
I sang for my family. And I think probably the first time I sang and got paid for it, I was about 6 or 7.
I always sang when I was little-bitty girl. I sang all the time. And then I'm from Knoxville, Tennessee, so I sang in a show at Pigeon Forge, Tennessee. You know, they have all those variety shows where Dollywood is. And I sang there and yodeled and clogged, but I never wrote my own songs.
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
I was shy: I sang at home but not in public. My dad's side of the family sang, so I would hear their voices and think mine couldn't compare.
Luther Vandross was a musician who sang. So after a while he was also the number one background singer in New York, so he would sing for Bette Midler, he sang on "Fame," he sang for David Bowie, he sang for - whoever needed backgrounds, he would arrange the parts and hook your record up. He also sang on commercials. McDonald's, Budweiser.
I sang 'All Of Me' at the wedding. I sang 'Stay With You' from my first album. And then Stevie Wonder came up and sang 'Ribbon In the Sky.' It was impromptu... It was cool... He's always been a friend and a mentor to me.
All through the deep blue night The fountain sang alone; It sang to the drowsy heart of the satyr carved in stone. The fountain sang and sang But the satyr never stirred- Only the great white moon In the empty heaven heard.
I've done the Kennedy Center many times. I've sang for Marian Anderson. I've sang for Marion Williams. I've sang for Lionel Hampton.
I sang opera, I sang show tunes. I got into a rock band for a while. I've sung a lot of different things.
I know it was all a bit of a sham. But I know that Mickey Dolenz sang. And Davy Jones sang. And Mike Nesmith sang. And Peter Tork did something.
XI I sang his name instead of song; Over and over I sang his name: Backward and forward I sang it along, With my sweetest notes, it was still the same! I sang it low, that the slave-girls near Might never guess, from what they could hear, That all the song was a name.
My two sisters and I sang all the time. Whenever we cleaned the kitchen, we sang in three-part harmony.
I wanted to play rock and roll when I started playing. Nobody at that time ever thought about songwriting. You sang songs, that's all. You sang other people's songs. That's all there were.
I disoriented myself from everything about being a human being and just played and played and played and sang and sang and sang.
I was given the opportunity to write the kind of book that I wanted to write, rather than one that catalogues where I sang and what I sang and what I wore. I wanted to write a book about an American family, the family that has produced me. The longer I live, the more I realise the incredible support and love we were given as children.
There is something particularly unique about the films of Hong Sang-soo...it's got to do with his masterful sense of storytelling... as the critic Manny Farber once said of Hitchcock's ROPE Hong Sang-soo's pictures unpeel like an orange.
The danger with the internet is that you don't need to think about music, you just search for it and you find the answer. Singing used to be part of everyday life. Women sang while pounding corn. Men sang while paddling canoes.
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