A Quote by Barbara Feldon

Poetry is very crafted. You can't have too many words. It needs compression. It has to be spare, just the right number of words. — © Barbara Feldon
Poetry is very crafted. You can't have too many words. It needs compression. It has to be spare, just the right number of words.
Much of the magical effect that poetry gives of rendering everything it touches pellucid comes from the necessity of compression that it imposes. The impossibility of pausing in poetry as long as may be needed to make sense clear causes many a set of words actually deficient in linguistic workmanship to pass for an eloquent brevity.
'Words, Words, Words' was very much its title. It's just words, words, words and trying to show that I can pack as much material into an hour as I possibly could word count-wise.
I discover poetry when I was in elementary school and I was so fascinated by it. Because I realised if you get the right amount of syllables and the right amount of words, in the right rhyme scheme and you put it all together. You make words just bounce of a page.
A lot of people think they can write poetry, and many do, because they can figure out how to line up the words or make certain sounds rhyme or just imitate the other poets they've read. But this boy, he's the real poet, because when he tries to put on paper what he's seen with his heart, he will believe deep down that there are no good words for it, no words can do it, and at that moment he will have begun to write poetry.
In its use of words poetry is just the reverse of science. Very definite thoughts do occur, but not because the words are so chosen as logically to bar out all possibilities save one.
One of the things that distinguishes poetry from ordinary speech is that in a very few number of words, poetry captures some kind of deep feeling, and rhythm is the way to get there. Rhythm is the way the poetry carries itself.
The hardest part is writing a song as a story. A song is so short and there are only so many words that every line has to hit. The words have to flow. You can't say certain words that sound weird next to each other, you can't repeat words too much.
The advice I continually give to young writers is this, "Learn to paint pictures with words." Not just once upon a time, but ... In the long secret dust of ages, beneath a blue forgotten sky, where trade winds caress the sun bleached shores of unknown realms ... See, as much as there are words in poetry, there is a poetry in words. Use it, stay faithful to the path you have set your heart upon and follow it.
You're all mad for words. Words are just farts from a lot of fools who have swallowed too many books. Give me things!
I think poetry bridges text and image. Poetry is visual in its imagery - but it requires close attention to words themselves. Words become jewels in poetry, while they are often tools in other genres.
September knew a number of curse words, most of which she heard the girls at school saying in the bathrooms, in hushed voices, as if the words could make things happen just by being spoken, as if they were fairy words, and had to be handled just so.
Too many people spouting too many words, and in the end those words will turn to bullets and stones.
A book is a physical object in a world of physical objects. It is a set of dead symbols. And then the right reader comes along, and the words—or rather the poetry behind the words, for the words themselves are mere symbols—spring to life, and we have a resurrection of the word.
I am an ordinary human being who is impelled to write poetry. ... I still do feel that a poet has a duty to words, and that words can do wonderful things, and it's too bad to just let them lie there without doing anything with and for them.
There are some things for which three words are three too many, and three thousand words that many words too less.
For me, poetry is a way of thinking, and like many poets, I'm driven by the idea of trying to find the impossible, perfect words: the words that will hold my subject.
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