A Quote by Barbara Hale

When you were a stock player, you worked on anything that was shooting on the lot in any capacity. — © Barbara Hale
When you were a stock player, you worked on anything that was shooting on the lot in any capacity.
When I used to be a contract player in 1954 at Universal, I wasn't getting good roles. I was getting one-liners, and then I'd be gone. But I'd hang around; I'd watch guys. And when I had days off, which was most days, I'd go down and watch other sets while they were shooting. Watch Joan Crawford or whomever. Just watch how they worked and how the director handled them. I didn't know anything about making movies, and there's a lot to learn.
A lot of people at Shearson ended up making a lot of money because they had stock or stock options. Their kids were able to go to college, and it changed a lot of people's lives.
The movie [Aquarius] is about love, ultimately, and it was made with love. There were a lot of parents in the crew, and they were the best crew I had ever worked with. Everybody knew the construction of each scene, and were completely invested in every shooting day.
I worked with women who were nurses and workers, women who worked in hotels, janitors who basically cleaned buildings, worked two jobs just to support their family. And, it really taught me a lot about how much opportunity I had to do anything I wanted to with my life.
I worked so hard for so long - I did a lot of movies. I also worked a lot when my kids were smaller, before they were in school.
Dirk was obviously a player that I looked up to. In high school I actually wore No. 41 in honor of Dirk. He was the first player where I was like this guy is seven-feet tall and shooting jump shots and shooting threes, this is what I want to be like.
I always had faith in the internet. I believed in it and thought it was obviously going to change the way the world worked. I really did not understand why others were selling their stock. As stock prices plunged, I just bought them, one after another, since I had the money. I guess I was rather lucky.
I worked a lot on my ball-handling and outside shooting during the off season.
It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.
In thinking back, not having any experience in any other elementary school, there may have been an advantage of being with different age groups to benefit from what they were learning in a more advanced capacity. With a small group like that, there was a lot of one-to-one teaching.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
Shooting clay targets is a very cleansing experience. It's very relaxing. It takes a lot of concentration. It's also very social, since you're usually shooting with friends. You can talk and forget about almost anything else that's on your mind.
My parents were workers. My mom, especially in my high school years, was a stock clerk at Kmart... My dad was a bartender that worked banquets.
I have a lot of players I like to see. For example, in my first few years, the player I think is the one everyone liked and always will like is Ronaldinho. For me, he is the player with the capacity to take you and put you in front of the TV, and you will stay for hours. For hours!
The player I was overseas, three-point shooting wasn't my first thing. I was a one-on-one, driving-to-the-basket type player.
My dad was a steelworker but I had the opportunity to become a player. A very average player but a player all the same. But I worked my socks off to make something of myself.
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