A Quote by Barbara Hamby
For 2,500 years, people have been writing odes. Why? I think that there's something innately human in wanting to praise the world even though it's disappointing in so many ways. There's always that tension.
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Keats's odes are among my favorite poems ever. As are Neruda's. So yes, I think my poems are odes, though I really just see those titles as ways of more or less orienting the poem. I've never thought about this until now, but I guess you could say that one effect of all the titles, their pervasiveness in the book, might be to once again, as so many other things do, put into question the meaning of the word "for," which I suppose is one of the great human questions: what is all this for? Why, and for whom, are we doing whatever we are doing?
There is a big difference between wanting to say you wrote a book, and actually writing one. Many people think they want to write, even though they find crafting sentences and paragraphs unpleasant. They hope there is a way to write without writing. I can tell you with certainty there isn’t one.
I've always been fascinated by the concept of reincarnation. I learned that many brilliant people were interested in reincarnation, including Carl Jung. I'm a big Jungian. So I began writing novels involving theories integrating past and present, even if the past element in the novel took place 500 or 1,000 years ago.
There's always a tension between wanting to write a really concise, instant gratification type song that gets under your skin the first time you hear it, and wanting to really stretch out. I think it's a healthy tension.
Often, I think that my brothers were the reason I didn't do something really stupid in my teenage years; I didn't want to disappoint them. Even though was I was pretty committed to disappointing everybody else.
Even though Lyndon Johnson's presidency was in many ways scarred forever by the war in Vietnam, and destroyed in a lot of ways, he - as a character - was even larger than his presidency. Being able to get to know him well, that firsthand relationship with this large character, I think is what drew me to writing books about presidents.
These are human issues. These are human stories. I think that's why 'Fences' has been able to resonate and been able to hit so many people over the years because it is just that. You can't run away from the racial specifics of it, but that's just a part of it.
Human exploration is something that's been going on for thousands of years, and the models that worked 500 years ago are likely to work again today.
Because of an off-hand funny comment I made backstage at a concert years ago, a story circulated that the song has been a burden and even that I didn?t sing it for a while. That?s completely false. I am very proud of ?American Pie? and the many satellites that grow from it and revolve around it. For many years I carried my songs around and now they carry me around. I have always sung ?American Pie? for my audience and would never think of disappointing them since it is they who have given me a wonderful life and untold affection for almost 30 years.
I did have a child, and I was reading a lot of picture books to her, but at the same time writing a children's book was something that I'd been wanting to do for many years, pretty much since the start of my career.
There is no one kind of thing that we 'perceive' but many different kinds, the number being reducible if at all by scientific investigation and not by philosophy: pens are in many ways though not in all ways unlike rainbows, which are in many ways though not in all ways unlike after-images, which in turn are in many ways but not in all ways unlike pictures on the cinema-screen--and so on.
Even though I always claimed that I didn't want to write about something - once I wasn't writing fiction, anyway; I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.
We all know that something is eternal. And it ain’t houses and it ain’t names, and it ain’t earth, and it ain’t even the stars . . . everybody knows in their bones that something is eternal, and that something has to do with human beings. All the greatest people ever lived have been telling us that for five thousand years and yet you’d be surprised how people are always losing hold of it. There’s something way down deep that’s eternal about every human being. -stage manager, in the play OUR TOWN
Had I but written as many odes in praise of Muhammad and Ali as I have composed for King Mahmud, they would have showered a hundred blessings on me.
There's so many ways to become a spiritual person and that's why a lot of people do drugs is that they're looking for something more and they're not satisfied. Even if they don't know their spirituality, they're searching for something more and they find it or they think they do with drugs, and that's what I thought for a long time.
I'm in a monogamous relationship and have been for many, many years. I think it's a choice. I don't think you can generalize, though, and what works for me may not work for other people, but I don't think everybody cheats. We're all different.
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