A Quote by Barbara Hamby
One of my problems with religion is that it's limiting in so many ways. I remember the first time I took a humanities class, I thought, I can't believe this. This is fantastic. This is what I want my life to be. When I was a young person, I did a lot of dabbling in Eastern religions, and it was very satisfying in some ways, but there's that limitation always, which I find myself bridling against.
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I think I'd been limiting myself in some ways just writing in first person all the time.
And in some ways, to me, that's one of the inspiring and powerful things about the Great Migration itself. There was no leader, there was no one person who set the date who said, 'On this date, people will leave the South.' They left on their own accord for as many reasons as there are people who left. They made a choice that they were not going to live under the system into which they were born anymore and in some ways, it was the first step that the nation's servant class ever took without asking.
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I think you choose how you walk through this life. I think if you choose to participate in a paradigm that is looks-based, if you're an actor, then it can be empowering in some ways, and it can be really limiting in some ways in terms of time and longevity.
Mount Carmel was a very monastic place. We lived in another time - an easier time, a better time. We didn't have running water or most modern conveniences. But in a lot of ways, it was a very satisfying life.
For a time it seemed inevitable that the surging tide of agnosticism and materialism would sweep all before it. There were those who did not dare utter what they thought. Many thought the case hopeless and the cause of religion lost once and for ever. But the tide has turned and to the rescue has come - what? The study of comparative religions. By the study of different religions we find that in essence they are one.
High school was the first time I ever saw spoken word poetry. The first place I ever performed a poem was at my school, so in some ways it was the nucleus of how it all started. For me I think high school was a period of trying to figure myself out, and poetry was one of the ways I did that, and was a very helpful avenue to try to do that.
I still don't know how to express the really delicate personal stuff. People think that Plastic Ono is very personal, but there are some subtleties of emotions which I cannot seem to express in pop music, and it frustrates me. Maybe that's why I still search for other ways of expressing myself. Song writing is a limiting experience in some ways - writing down words that have to rhyme.
People pay far too much attention to the television and they're quite literal in some ways. At the beginning, when I was playing very stupid characters, I think people genuinely thought I was possibly quite dim-witted myself, which is a compliment in some ways, as I must have been doing my job very well.
I think a lot of us who had these oddly shaped childhoods, in some ways we're hyper-capable. We're able to take care of ourselves in a lot of ways but it's like we're missing a piece. When everyone went to school to learn how to be a regular person we were sick that day. We compensate other ways. Alcohol and drugs is one of those ways. Instead of learning how to cope with our problems and deal with hardship and deal with anger, we just decide to get drunk and not care.
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I definitely was always expected and encouraged to be a songwriter from a very young age, ... But really it's because, as a child, I thought I was Judy Garland. And when I started out, I was a little nuts. I thought I was a classic, legendary superstar when only 10 people knew who I was. I feel in some ways that my confidence is misinterpreted as arrogance, which is understandable. But I've also always thought that false modesty is evil.
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