A Quote by Barbara Hepworth
Sculpture is, in the twentieth century, a wide field of experience, with many facets of symbol and material and individual calligraphy. But in all these varied and exciting extensions of our experience we always come back tot the fact that we are human beings of such and such a size, biologically the same as primitive man, and that it is through drawing and observing, or observing and drawing, that we equate our bodies with our landscape.
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The difference between men and women is inalienable. It is not a political fact, subject to cultural definition and redefinition, but a physical verity. We do truthfully experience our lives differently because our bodies are different. It is in what we do with our experience that we are the same. We feel, absorb and examine with the same intensity, and intense experience honestly examined informs the art of both sexes equally. ... The power of imagination illuminates all human lives in common.
If we try to hold on to our partial glimpses of the divine, we cut it down to our own size and close our minds. Like it or nor, our human experience of anything or anybody is always incomplete: there is usually something that eludes us, some portion of experience that evades our grasp.
You know, the truth is that us actors would all like to believe we re-invent the wheel, every time we play a character. But, we're human beings and our instruments are not violins, they are our bodies and our consciousness and our collective life experience.
Our bodies, apart from their brilliant role as drawing exercises, are the temples of our being. Like the bodies of all fauna, they deserve both our study and our appreciation.
The troubles of this world pass, and what we have left is what we have made of our souls, so it is to this we must look to becoming more spiritual, drawing nearer to God, no matter what our human minds and bodies go through.
I love the line of Flaubert about observing things very intensely. I think our duty as writers begins not with our own feelings, but with the powers of observing.
You know how much I admire Che Guevara. In fact, I believe that the man was not only an intellectual but also the most complete human being of our age: as a fighter and as a man, as a
theoretician who was able to further the cause of revolution by drawing his theories from his personal experience in battle.
Our main source of psychic energy in the future will depend on our ability to understand this symbol of evolution in an acceptable context of interpretation. Only in the context of an emergent universe will the human project come to an integral understanding of itself. We must, however, come to experience the universe in its psychic as well as in its physical aspect. We need to experience the sequence of evolutionary transformations as moments of grace, and also as celebration moments in our new experience of the sacred.
?Reading good literature is an experience of pleasure...but it is also an experience of learning what and how we are, in our human integrity and our human imperfection, with our actions, our dreams, and our ghosts, alone and in relationships that link us to others, in our public image and in the secret recesses of our consciousness.
True testimonies bring the light of the restored gospel of Jesus Christ into our lives and focus all of us toward the same goal of returning to our Father in Heaven--yet our individual testimonies come through varied experiences and at different stages in our lives.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
Our souls as well as our bodies are composed of individual elements which were all already present in the ranks of our ancestors. The "newness" in the individual psyche is an endlessly varied recombination of age-old components.
Nothing will convince and convict those around us like the peaceful and positive way you and I respond to our twentieth century hurts and distress. The unbelieving world-your neighbors, the guy at the gas station, the postman, the lady at the cleaners, your boss at work-is observing the way we undergo our trials.
We have imagined ourselves a special creation, set apart from other humans. In the last twentieth century, we see that our povertyis as absolute as that of the poorest nations. We have attempted to deny the human condition in our quest for power after power. It would be well for us to rejoin the human race, to accept our essential poverty as a gift, and to share our material wealth with those in need.
We write out of our humanity by writing through our direct experience. That which is most personal is most general, which becomes both our insight and protection as a writers. This is our authority as women, as human beings.
It is not our heads or our bodies which we must bring together, but our hearts. . . . Humanity. . . is building its composite brain beneath our eyes. May it not be that tomorrow, through the logical and biological deepening of the movement drawing it together, it will find its heart, without which the ultimate wholeness of its power of unification can never be achieved?
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