A Quote by Barbara Hepworth
[My works are] an imitation of my own past and present and of my own creative vitality as I experience them in one particular instant of my emotional and imaginative life. . .
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My works are an imitation of my own past and present.
Through our own creative experience we came to know that the real tradition in art is not housed only in museums and art galleries and in great works of art; it is innate in us and can be galvanized into activity by the power of creative endeavour in our own day, and in our own country, by our own creative individuals in the arts.
We need imagination in programming, not sterility; creativity, not imitation; experimentation, not conformity; excellence, not mediocrity. Television is filled with creative, imaginative people. You must strive to set them free.
The most that the Convention could do in such a situation, was to avoid the errors suggested by the past experience of other countries, as well as of our own; and to provide a convenient mode of rectifying their own errors, as future experience may unfold them.
Experience is stronger than belief. Once we have experiences our mind begins to open. This works better than me forcing my own experience or knowledge onto anyone. Show them how to have their own experiences.
Tradition: how the vitality of the past enriches the life of the present.
When we give children advice or instant solutions, we deprive them of the experience that comes from wrestling with their own problems.
There is neither past nor future. There is only the present. Yesterday was the present to you when you experienced it, and tomorrow will be also the present when you experience it. Therefore, experience takes place only in the present, and beyond experience nothing exists.
The present is only understandable through the past, with which it forms a living continuity; and the past is always grasped from our own partial viewpoint within the present.
A lot of people ask, "What do you pull on in your own life from your character?" In all honesty, it's not something that really works that way for me. I tend to look at these things as an imaginative process and a challenge of imagination and empathy, to some degree. I get much more out of meeting people who have lived these lives than I do digging around in my own limited experiences.
I do experience something pretty commonly with every song; there's some moment where it clicks into its own life with its own emotional impact that I feel, and even though technically I'm the one writing the song, it's like watching a storm come in.
A song has a life of its own. It's an autonomous thing, separate from your own experience, almost. And the mere repetition of it means it's subject to change; it means approaching it differently, expressing different emotional aspects of it. It doesn't feel like wallowing.
A perfect practice of Christianity would, of course, consist in a perfect imitation of the life of Christ -- I mean, in so far as it was applicable in one's own particular circumstance. Not in an idiotic sense -- it doesn't mean that every Christian should grow a beard, or be a bachelor, or become a travelling preacher. It means that every single act and feeling, every experience, whether pleasant or unpleasant, must be referred to God.
We learn in the past, but we are not the result of that. We suffered in the past, loved in the past, cried and laughed in the past, but that's of no use to the present. The present has its challenges, its good and bad side. We can neither blame nor be grateful to the past for what is happening now. Each new experience of love has nothing whatsoever to do with past experiences. It's always new.
In reality, there is a single integral community of the Earth that includes all its component members whether human or other than human. In this community every being has its own role to fulfill, its own dignity, its own inner spontaneity. Every being has its own voice. Every being declares itself to the entire universe. Every being enters into communion with other beings.
In every phase of our imaginative, aesthetic, and emotional lives we are profoundly dependent on this larger context of the surrounding world.
One of the unfortunate consequences of the intellectualization of man's spiritual life was that the word "spirit" was lost and replaced by mind or intellect, and that the element of vitality which is present in "spirit" was separated and interpreted as an independent biological force. Man was divided into a bloodless intellect and a meaningless vitality. The middle ground between them, the spiritual soul, in which vitality and intentionality are united, was dropped.
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