A Quote by Barbara Kingsolver
To be hopeful, to embrace one possibility after another that is surely the basic instinct - crying out: High tide! Time to move out into the glorious debris. Time to take this life for what it is!
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Every one of us is called upon, perhaps many times, to start a new life. A frightening diagnosis, a marriage, a move, loss of a job...And onward full-tilt we go, pitched and wrecked and absurdly resolute, driven in spite of everything to make good on a new shore. To be hopeful, to embrace one possibility after another--that is surely the basic instinct...Crying out: High tide! Time to move out into the glorious debris. Time to take this life for what it is.
To be hopeful, to embrace one possibility after another--that is surely the basic instinct. Baser even than hate, the thing with teeth, which can be stilled with a tone of voice or stunned by beauty. If the whole world of the living has to turn on the single point of remaining alive, that pointed endurance is the poetry of hope. The thing with feathers.
I write a lot from instinct. But as you're writing out of instinct, once you reach a certain level as a songwriter, the craft is always there talking to you in the back of your head...that tells you when it's time to go to the chorus, when it's time to rhyme. Real basic craft... it's second nature.
If you take real-life circumstances and take out all the pauses then you have a thriller. It has to be non-stop, high stakes and fascinating all the time. Real life is like that from time to time.
Ah, the mysterious croak. Here today, gone tomorrow. It's the best reason I can think of to throw open the blinds and risk belief. Right now, this minute, time to move out into the grief and glory. High tide.
[ This Is Us] is a character-driven dramedy, in which you will laugh. You may have to pull out your tissue box from time-to-time. But it will sort of reaffirm your desire to move forward in life. It's a very hopeful show.
People never grasp the fact that they're going to have to go through the same thing again. They get to the sort of five-year stretch or the seven-year itch or whatever these tension points are that seem to be organic, built in, like the tide coming in and going out. It's like every time the tide goes out you quit--you move your house or something.
Time allows change to take place and the very evolution of the universe is what requires some conception of time. Mathematically can we write down a universe that doesn't have time? Sure. Do we think that would be realised in the larger reality that is out there? None of us take that possibility seriously.
Thirteen years after Basic Instinct, Catherine Tramell (Sharon Stone) is now in London, and is going out with a footballer played by Stan Collymore, of all people. On the rebound from John Motson, perhaps. It is difficult to convey just how uproariously awful this movie is, all of the time.
The best attitude to take toward back talk is to reach out and embrace it with love, compassion, and understanding. No need to criticize it for its shortcomings or to waste time in recriminations. Just give a loving nod and a hug to any back talk you get, and move on to the joyful creation of your fulfilled life.
Consider the word “time.” We use so many phrases with it. Pass time. Waste time. Kill time. Lose time. In good time. About time. Take your time. Save time. A long time. Right on time. Out of time. Mind the time. Be on time. Spare time. Keep time. Stall for time. There are as many expressions with “time” as there are minutes in a day. But once, there was no word for it at all. Because no one was counting. Then Dor began. And everything changed.
Time to stop crying, time to get her act together and do something. Time to move beyond the pity party.
I don't dislike any of my exes. If I took time to form a relationship, it's gonna hurt when we move on, but are you puttin' White-Out over all that beautiful time together? That was real time in your life. It's connected to where you are today.
I know you want me back. It's time to face the facts. That I'm the one that's got away. Lord knows that it would take another place, another time, another world, another life. Thank God I found the good in goodbye.
The whole Beatle thing was just beyond comprehension. When 'Help' came out, I was actually crying out for help. Most people think it's just a fast rock 'n roll song. I didn't realize it at the time; I just wrote the song because I was commissioned to write it for the movie. But later, I knew I really was crying out for help.
The world is changing from day to day; it is high time for our writers to take off their masks, look frankly, keenly, and boldly at life, and write about real flesh and blood. It is high time for a brand-new arena for literature, high time for some bold fighters to charge headlong into battle!
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