A Quote by Barbara Kingsolver

Literature is one of the few kinds of writing in the world that does not tell you what to buy, want, see, be, or believe. It's more like conversation, raising new questions and inspiring you to answer them for yourself.
Christ and the life of Christ is at this moment inspiring the literature of the world as never before, and raising it up a witness against waste and want and war. It may confess Him, as in Tolstoi's work it does, or it may deny Him, but it cannot exclude Him; and in the degree that it ignores His spirit, modern literature is artistically inferior. In other words, all good literature is now Christmas literature.
Actually, having a few questions of your own shouldn't prevent you from sharing the gospel with others. You can explain to them that while you still have a few unresolved questions yourself, you don't have enough faith to not believe.
I don't think it is wrong when you - when an actor goes and sells his film. I mean, it's salesmanship; you got to tell the world what you have. You got to tell them, 'These are my wares; please see how do you like them. If you like to buy them, please buy them.' There's nothing wrong in that.
It costs you just as much to ask a doctor 50 questions as it does to ask him one question. So go see your doctor with questions written down... And if he doesn't want to answer your 50 questions, go find yourself another doctor!
There are very few works of fiction that take you inside the heads of all characters. I tell my writing students that one of the most important questions to ask yourself when you begin writing a story is this: Whose story is it? You need to make a commitment to one or perhaps a few characters.
In fact, one of the things that I really love about literary fiction is that it's one of the few kinds of writing that doesn't tell us what to think or what to buy or what to wear. We're surrounded by advertising.
The world does not need more Christian literature. What it needs is more Christians writing good literature.
Very few interviews are a conversation. It's usually a question and I have to answer for two minutes. By the end of the day, I kind of feel gross. It's like you go to dinner with a friend and then you get home and you're like: "Ugh, I dominated that conversation too much. I wish I let them talk more." That's how it feels for me every day I do press.
It is not enough to say that we cannot know or judge because all the information is not in. The process of gathering knowledge does not lead to knowing. A child's world spreads only a little beyond his understanding while that of a great scientist thrusts outward immeasurably. An answer is invariably the parent of a great family of new questions. So we draw worlds and fit them like tracings against the world about us, and crumple them when we find they do not fit and draw new ones.
To succeed in this new world, we will have to learn, first, who we are. Few people, even highly successful people, can answer the questions, Do you know what you're good at? Do you know what you need to learn so that you get the full benefit of your strengths? Few have even asked themselves these questions.
It's pointless to talk to Fed members about economics because they are academics who believe in money-printing. Some of them believe they didn't print enough, and so with these kinds of people, it is like running to the pope. What do you want to tell them?
Visiting a new town is like having a conversation. Places ask questions of you just as searchingly as you question them. And, as in any conversation, it helps to listen with an open mind, so you can be led somewhere unexpected. The more you leave assumptions at home, I've found, the better you can hear whatever it is that a destination is trying to say to you.
Does he or she know you, like you, and trust you? Does he want to see you succeed? Does she want to help you find new business? If so, then you have yourself a 'Personal Walking Ambassador.'
You can play a role in the shaping of tomorrow's world by asking yourself questions like, 'What kind of world do I want to live in?' and 'What does democracy mean to me?'
Music, art, and literature are inseparable for me. How does "composition" evolve in a music and art context? It's a question we can never answer: it only asks for more information and generates more questions.
I'm a big believer in pose some questions and then answer a few of them before you move onto the next set of questions.
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