A Quote by Barbara Kingsolver

There's always more to a story than a body can see from the fenceline. — © Barbara Kingsolver
There's always more to a story than a body can see from the fenceline.
The story you envision as you start out is always a great story; when the facts turn out to be different from, or more complex than, what you expected, your first reaction is always disappointment. That's when you must fight the urge to bend the story to your preconceived notions. First, it's dishonest. And second, in the end, the truth is always the best story.
Literature more often tells the story of impulses we don't act on than of ones we do. I could joke about the Cain and Abel story with my brother without expecting him to be worried, though it's always possible he was more anxious than he let on.
Living "in" a story, being part of a narrative, is much more satisfying than living without one. I don't always know what narrative it is, because I'm living my life and not always reflecting on it, but as I edit these pages I am aware that I have an urge to see my sometimes random wandering as having a plot, a purpose guided by some underlying story.
A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
For me, body art is all about expression; it's a lifestyle and can serve as a reminder that when my career is done, I'll have a story to tell on my body. And it will be my story of my life on my body.
Matthew loved the magi. He gave their story more square inches of text than he gave the narrative of the birth of Jesus. He never mentions the shepherds or the manger, but he didn't want us to miss the star and the seekers. It's easy to see why. Their story is our story.
This is the essence for every human being to realize that who they are, essentially, is far more than the physical body and is far more than the mental body, the psychological makeup, the psychological "me" body. Who they are is far deeper than that.
When I pray the Lord's Prayer, I begin with the first word, "Our. . ." (see Matthew 6:9) and I stop and ask myself, "Who do I include in this Our?" I remind myself that the story of God is bigger than my personal story, bigger than the story of my religion, bigger than the story of all humanity, and bigger than the story of all creation. In the kingdom of God, these four stories are all really my stories - all at the same time - woven together, giving meaning and life to each other.
Creating is one thing; telling the story is one thing. I see myself more as a storyteller than a story creator.
Well, I think the main message is there is more to your story. There is more than what happens between the crib and the grave, and that is what I am really trying to speak to, this idea that all of life is this life and that there is nothing more than what we see and experience right here on this earth.
I believe in heaven more than hell, lessons more than jail. In the ghetto, let love prevail with a story to tell. My eyes see the glory, and well, The world waiting for me to yell, "I Have A Dream!"
A short story is confined to one mood, to which everything in the story pertains. Characters, setting, time, events, are all subject to the mood. And you can try more ephemeral, more fleeting things in a story - you can work more by suggestion - than in a novel. Less is resolved, more is suggested, perhaps.
Okay, I like him,” I admitted. “But it takes more than a nice body, Jenks. Jeez, I do have a little depth. You’ve got a great body, and you don’t see me trying to get into your Fruit of the Looms.
But is not He who created it for the sake of the sick body more than the remedy? And is not He who cures the soul, which is more than the body, greater?
I'm not the type of woman who shows off my body; I'm a vocalist and I'm a writer and I think people see that more so than they see anything else. That's just who I am.
Lena Dunham or Miranda July, those people are sort of thinking about their work in a slightly different way than I do, where their whole body is a seed of what they're creating. I can't imagine watching Miranda's movies with anybody else playing her role, she's so integral. But for me, it feels more like every story is really individual. If I thought of something else, or thought it should be my body representing it, I'd fold my body into it. But most of the time I'm writing to get something out of my body.
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