A Quote by Barbara Kingsolver

So one time when I was working in this motel one of the toilets leaked and I had to replace the flapper ball. Here's what it said on the package; I kept it till I knew it by heart: 'Please Note. Parts are included for all installations, but no installation requires all of the parts.' That's kind of my philosophy about men. I don't think there's an installation out there that could use all my parts.
I think I'm really fortunate to be an installation artist who is heavily invested in photography: I don't have the emotional problems with the loss of work that some installation artists have. The photographs wouldn't exist without the installation... but at the same time, I think I'd kill myself if I only did installations. There's something deeply tragic about doing work that you know is temporal.
Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.
If time were a bolt of cloth,” said Om, “I would cut out all the bad parts. Snip out the scary nights and stitch together the good parts, to make time bearable. Then I could wear it like a coat, always live happily.
Most programming languages contain good parts and bad parts. I discovered that I could be better programmer by using only the good parts and avoiding the bad parts.
A campaign is a complex organism that requires expensive parts. Finding the right parts and meshing them together into a cohesive working unit is an art in and of itself.
There are not very many opportunities for little people in the industry. There are small parts and character parts, but we don't get the girl-at-the-end-of-the-film kind of parts... but I was quite happy with what I was doing.
I think, in fact, that the connections between philosophy and cognitive science haven't gone far enough, metaphysicians should be working closely with cognitive scientists when they try to understand the sources of our experience of parts of the world such as its causal and temporal parts.
There are good parts and bad parts and middle parts about everybody. So what I would like to be known as is someone who was true to himself and passionate about the game.
We have four parts of our game: working against the ball; in possession; losing the ball; winning the ball. If you are good in all four parts, you have a good chance of winning.
The progress of science requires the growth of understanding in both directions, downward from the whole to the parts and upward from the parts to the whole. A reductionist philosophy, arbitrarily proclaiming that the growth of understanding must go only in one direction, makes no scientific sense. Indeed, dogmatic philosophical beliefs of any kind have no place in science.
The only parts I like out of any of those women books is the dirty parts. But I don't think their dirty parts are any good, really.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
I don't find that writing about parts of my life had much effect except in some cases to improve my memory. To get into parts of the past I want to recall very vividly, I use a form of directed meditation.
I think a lot of the dull parts of first drafts come from a kind of over-managing, intrusive writer who wants to direct traffic. The idea of taking out the parts that the reader could infer is very liberating, and it's weirdly part of radicalizing your work: it allows you to go to new places fast.
When it comes to picking parts, I do make an effort to choose parts that I want to do, and not necessarily parts someone else wants me to do, or parts that someone else is going to respond to.
I think as the world changes, we have to keep up. We have to note what is happening, and I think writing has always had a powerful corrective influence and possibility. We have to write about what's good, and we also have to write about parts of our culture that are not good, that are not working out. I think it takes a new eye.
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