A Quote by Barbara Kingsolver

My way of finding a place in this world is to write one. — © Barbara Kingsolver
My way of finding a place in this world is to write one.
Prosperity knits a man to the world. He feels that he is finding his place in it, while really it is finding its place in him.
There's so much rage in the world now and I'm finding poems to be the place where I want to stay. I rage and rage and then write a poem and return to breathing.
I got into the business because I love writing. When it came down to finding my voice, which every writer has to take time to do, I think I realized I write black people very well. I write us in a very honest way, and I want to hear the way we really talk.
People write because it seems like it'll be an easier job than carpet laying, that they might meet more girls. And they write because the world strikes them as being a marvelous place, and they want to keep bringing that to everybody's attention. You know ~ a scary place, a menacing place, an exciting place because it's scary and menacing. But mainly, kind of glorious.
He wanted paper and something to write with, some way to sustain a thought, to place it in the world.
Prosperity knits a man to the world. He feels that he is finding his place in it while really it is finding its place in him. His increasing reputation, his widening circle of acquaintances, his sense of importance, the growing pressure of absorbing and agreeable work build up in him a sense of being really at home on earth which is just what we want.
What affects men sharply about a foreign nation is not so much finding or not finding familiar things; it is rather not finding them in the familiar place.
I don't know if the books are making the world a much better place. I don't write with that objective. What I know is that I see my readers creating a critical mass so we can at least understand this world in a different way.
The main trend with the theme episodes is that anywhere there is a misconception about the way the physical world works, we're finding fertile material. Whether it's in a phrase like "going over like a lead balloon" or "a needle in a haystack," or tackling movie myths or even a genre, like MacGyver or James Bond, we're finding that all these things can lead to people believing the world works in a certain way. It might not be correct, but we can test out if it's true.
Writers are troubled about finding time to write and writer's block and publicizing books that aren't books yet. They agonize over how to write and what to write and what not to write.
I have battled clinical depression and have come out of the other side. I've been free of it for many years now. Finding the place in my own mind and heart to win that battle without using medication, finding the place within myself where I could be alive again, that was one of the biggest challenges I've faced.
I think, probably, the place that I feel I most belong is a movie set. It doesn't matter where it is in the world or who I'm making the movie with; that's the closest thing that I've got to a sense of placement. So I guess acting was a way of finding a home, if that makes sense.
I think that's the hardest part for an artist is finding their voice and learning how to write, finding what they have to say that is unique.
If psychoanalysis was late 19th century secular Judaism’s way of finding spiritual meaning in a post-religious world, and retail is the late 20th century’s way of finding spiritual meaning in a post-religious world, what does it mean that I’m impersonating the father of psychoanalysis in a store window to commemorate a religious holiday?
A lot of my writing is not terribly civilized. Sometimes I listen to songs by very smart writers who assume that the world is a civil place with certain formalities that people follow, but I don't see things that way. My own experience tells me that life is not like that. That's why I write the way I do.
Finding a sanctuary, a place apart from time, is not so different from finding a faith.
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