A Quote by Barbara Kingsolver

Hallie and I... were all there was. The image in the mirror that proves you are still here. We had exactly one sister apiece. We grew up knowing the simple arithmetic of scarcity: A sister is more precious than an eye.
My brother and sister had a much worse childhood, I think, because they were older, and they had to deal with a lot more racism because they grew up in the '70s and I grew up more in the '80s. So they had to deal with crosses being burned on their lawn and their dogs being poisoned.
I grew up in Tennessee, where no one was really hairy, and with sisters who were so beautiful - my little sister was a pageant girl. But me, I was this weird-looking hairy child. I had more than just a unibrow; I feel like I had a mustache, a goatee.
I grew up believing my sister was from the planet Neptune and had been sent down to Earth to kill me. I believed this because my sister Emily convinced me of it when I was a toddler. I think she'd seen Invasion of the Body Snatchers and her imagination ran away with her. There's a part of me that still believes it.
I grew up with a sister and a younger brother in a house where every evening was spent performing a dance routine in front of our parents with my sister.
We grew up in a nice house in a very middle-class area in Bolton and had a very happy childhood. My mum, Falak, who was also brought over from Pakistan by her parents as a kid, devoted herself to bringing up me and my younger brother and sister, Haroon and Tabinda, and my elder sister Mariyah.
I'm the youngest of three children and grew up in Ealing, west London. My eldest sister, Nutun, is nine years older than me, and my middle sister, Rupa, is three years older.
I was very close to my Dad as I grew up with him more than mom as she was traveling with my sister.
I do not have a family, per se. When I was younger, I grew up in foster care with my brother and sister. It was really a struggle, and knowing that there were people out there with tight-knit families really made my childhood an unfortunate one.
When I was in theater school, we did these relationship exercises - you would play my sister, and I'd give you all this information about my sister, and then we'd get up and perform this scene, and you'd pretend to react as my sister. It was like therapy!
I remember when I was writing 'The Tin Drum,' I had the totally misguided idea of giving Oskar Matzerath a sister, and he just wouldn't have it. There was no space for a sister, yet I had the character of the sister in my head. In fact I used her in later novels, in 'Cat and Mouse' and 'Dog Years,' Tulla Pokriski.
I got into psychology simply because that's what my sister did, and I grew up in a family that was very like, follow your sister's footsteps. I went to the same school she went to, did the same degree she did ... really had no interest in it, to be honest.
I got into psychology simply because that's what my sister did, and I grew up in a family that was very, like, 'Follow your sister's footsteps.' I went to the same school she went to, did the same degree she did... really had no interest in it, to be honest.
We had very few things. I had a couple pairs of jeans, a couple shirts. And same with my mom and sister. I think my sister had, like, two toys. We were living off of instant noodles.
I hate my jaw. I don't know if it's my dad's - I think I'm more like my mother, my littlest sister looks exactly like my dad and my middle sister is a mixture of the two.
After my parents' divorce in the early seventies, I grew up with my mother, who wasn't super educated herself. But there were a lot of kids from the subcontinent in the neighbourhood, many of whom were academic achievers. So my sister and I grew up around them, and both of us did well in school.
I grew up knowing the pros and cons of the business and knowing what comes with pursuing what you love in terms of being in the public eye. I also grew up among people that were considered celebrities and people that people admired.
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