Attention spans are short. Like, eight seconds short. That's why it's necessary to grab people's attention immediately.
We live in a time of short attention spans and long stories. The short attention spans are seen as inevitable, the consequence of living our lives in thrall to flickering streams of information. The long stories are the surprise, as is the persistence of the audience for them.
One can not understand language because language cannot understand itself; does not want to understand
Land of snap decisions, land of short attention spans, nothing is savored long enough to really understand.
In this fragmented world, with such short attention spans, you've got a couple of episodes to make an impression. And if you don't, you start to lose your audience in a big way.
Today's children have very short attention spans because they are being reared on dreadful television programmes which are flickering away in the corner.
I know for a fact that - it's just the way our biases work now in the industry of literature, but certainly a short story collection does not receive the same kind of attention as a novel.
I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.
The media, the polls and our legislatures fortunately have short attention spans.
I'm very conscious of people having pretty short attention spans: I know, I'm guilty of it. I'm 17 now: what happens by the time I'm 21, am I a burn-out or something? Will they still listen to my record?
Mid-grade readers don't have short attention spans, they just have low boredom tolerance.
The ultimate pitch for an era of short attention spans begins with a single word - and doesn't go any further.
Art begs you to notice it. Why? Because art is God's way of saying hello. So pay attention to poetry. Pay attention to music. Pay attention to paintings and sculptures and photo exhibits and ballets and plays. Don't let all this go unnoticed. Your world is shouting out to you, revealing something intrinsically glorious about itself. Listen carefully. Love art, the way art loves life.
I love the necessary ambiguity of short stories - there simply isn't time to render every detail, so much of the story that orbits the literal prose must happen in the reader's imagination. Who knows, maybe the dwindling attention spans means a lucrative future for short story writers.
Now that I understand how publishing schedules work, I can understand why many authors have the sophomore slump. A year is a long time to wait for a sequel, but it's a short, short time to WRITE a sequel.
Why do I do it? Because I enjoy its effects. You know, I - why does anybody use any mind-altering substance, you know, because they like the way it makes them feel.