A Quote by Barbara Kruger

One thing I learned working at magazines was that if you couldn't get people to look at a page or a cover, then you were fired. It was all about how you create arresting works, and by arresting I mean stop people, even for a nano-second.
We have to stop arresting prostitutes and not arresting traffickers and pimps. It's absurd. We're arresting the victim or the survivor and not the oppressor.
Arresting opposition leaders and restricting civil society will not stop people from protesting, but it can create leaderless movements that leave no one with whom the government can mediate a peaceful way forward.
I'm usually more concerned with how things sound than how they look on the page. Some people write for the page, and that's a whole other thing. I'm going for what it sounds like right away, so it may not even look good on the page.
I was constantly amazed by how many people talked me into arresting them.
Let's get the government stay out of our private lives, once and for all, and stop arresting smokers. Let's take a stand for personal freedom.
A truly great magazine cover surprises, even shocks, and connects in a nano-second.
I remember reading about police arresting this filmmaker making this freaky movie and his name was John Waters. And I was like, wow, someone in Baltimore is doing something creative? I didn't know there were people running off and making eight-millimeter movies. Then I got to New York and realized, oh, there's a whole world of people who do these things. I was utterly bored being in the suburbs, but I didn't know why I was bored.
We're bombarded with images. Take the time to stop and look at something then connect with them and maybe they're thinking the same thing, I used a lot of devices to catch the eye of people who have seen a lot of stuff, having worked in advertising and in editorial. I have learned to get someone to stop and look at something, that language.
Incarcerating people for their [drug] consumption choices has the consistency of arresting a survivor of suicide for attempted murder.
You get to decide how you're going to look and what you're going to be when you grow up and when people learned that my parents actually had an arranged marriage people thought that was the most horrific thing on earth. I mean how could anybody allow their marriage of all things to be prescribed by somebody else?
Advertising: the science of arresting the human intelligence long enough to get money from it.
The women's choice of footwear doesn't speak for their most important inner life, but rather it tells a story - this is an opportunity to express themselves. I think the thing that's most compelling about other people is when you don't look like you're trying to dress like your friend, colleague, neighbor, or anything else. That's a very arresting and exciting and compelling quality to possess - not everybody has the courage to walk out the door feeling like themselves, but once they do, it's thrilling to witness.
One thing I've learned in my career is that you don't have to answer people right away. I've learned how to say, "Can I get back to you about that?" Now I've given myself time to really assess what you asked me to do or what the situation is, think about it, then come up with a plan. Then by doing that, when I come back to you, it's not what I say it's how I say it.
How do people move on after they've lost the love of their life? It's a really interesting thing to look at. It happens to people every day: you see people... even in the worst, most war-torn places, people get up and continue with their lives. And it's a fascinating thing about human nature. That ability to just continue on.
You learned that it was easy frighteningly easy to get lost in someone else's life accommodating him and stop being yourself. You learned to be wary about falling in love. And you learned that someone who loved you could stop loving you for some dark reason and even though that was bruising you were more resilient than you knew. Eventually you would get over it more or less.
Professional reviewers read so many bad books in the course of duty that they get an unhealthy craving for arresting phrases.
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