A Quote by Barbara Kruger

I think what I'm trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience. — © Barbara Kruger
I think what I'm trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.
Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves.
What I'm trying to do is create moments of recognition.
What I'm trying to do with Thrizzle is create the experience of a humor magazine, even if it's just one person. So that's involved me trying to simulate different styles and create a feeling of some contrast and variation, which is obviously very different from Snake 'N' Bacon.
My advice is: to try and stay really true to the things that make YOU laugh, as opposed to trying to create a character that you think is funny. Some comedians get into bad habits when they are trying to create something that is not them, and they are trying to write a voice that isn't their true voice.
We think there is a knowledge or practice or surrender is needed that will close an imagined or felt gap, and allow some kind of merging with the truth. This is an idea, a thought that will keep you searching forever for some blissful experience that will last - no experience lasts. Who is watching this? Don't try to imagine it. You will only create another concept an imagined object and a lot frustration. Just be that. - and don't expect it to be wow experience...don't expect it to be anything.
Men are shallow - we don't remember things like women do. Or we don't bring it up and blurt it out at inappropriate moments. When bridges are trying to be built, we don't detonate them.
What's required of me in the field is to feel,' Stirton says with emphasis. 'And trying to take that feeling and put it in a form that communicates a particular set of emotions or circumstances - whether that involves depicting masculine pride, or a particular kind of suffering, or love, or closeness - my primary job is to feel and to try to put that feeling into some kind of visual form. My goal is to get to the heart of each story, you know? I’m trying to evolve in my work.
In my better moments, I think of apathy as purpose's sleep. In my worse moments, when I'm trying to fix it or get rid of it, I call it feeling lazy, depressed, or useless.
You kind of hope as a musician that you get some recognition for what you do, and when you do, it's nice. It's a really good feeling.
I grew up in the once segregated South. I experienced forced integration during my formative school years. I lived the sacrifices, burdens, and tears. I also lived the moments of understanding, of acknowledgment, of fellowship and success. I saw my parents and grandparents coming home beaten down - and some of my friends beaten up.
So I really love this very difficult feeling of being completely out at sea. I don't know what I'm doing, and I kind of like this feeling. So I think for the moment, I'm going to continue to try and nail film down in some sort of shape where I'm happy with it.
I do think that fist-waving conversations around liberation ideologies are sort of dated - I'm not creating Barbara Kruger moments of self-actualization - what I'm trying to do is create more moments of chaos where we don't really know where we are: to destabilize; where all the rules are suspended temporarily.
As a young mom I was kind of desperate for some happy family moments and I realized that they don't usually show up all on their own, you have to create them - or at the very least, create an opportunity for them to bloom.
No matter how careful you are, there's going to be the sense you missed something, the collapsed feeling under your skin that you didn't experience it all. There's that fallen heart feeling that you rushed right through the moments where you should've been paying attention. Well, get used to that feeling. That's how your whole life will feel some day.
Touring is just the most incredible experience, and whilst I try to share it, there are moments where you feel the only way you can really know is to be there in the moment feelings what you are feeling.
I think we need to just be very clear about what we're trying to do in Afghanistan. Frankly, we're not trying to create the perfect democracy. We're never going to create some ideal society. We are simply there for our own national security.
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