A Quote by Barbara Kruger
Even when I was a little girl, I remember going to the Museum of Modern Art. I think my parents took me there once or twice. And what I really remember is the design collection.
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I remember my parents yelling at each other and at me from an early age, and I remember a lot of things smashing. I try to look for the happy memories from the brief time my parents were married, and I can't really recall that. From the start things were messed up, and I just kept moving through the years and trying to pick out the little bits of evidence that would help me prove to myself that it wasn't my doing. But it took finding out somebody really does love me, who's not my parents or a relative, to really know that I was loveable.
I remember when I first went to the Baltimore Museum of Art and I bought this little Moreau print in the gift shop. I took it home, and I was, like, 12 years old or something.
I remember my grandmother's husband dying. But I think I was older. I think I was 7 or 8 when he died. But I remember that being the first real person I knew who died, and I - and that my parents didn't let me go to the funeral. And I remember feeling like it was really unfair.
My parents took me to shows starting when I was a very little kid. I remember seeing Henry IV at the Shakespeare Theatre in DC and our neighbor, who was playing Banquo, winked at me during the curtain call. I remember thinking "he can SEE ME?!" I was hooked from then. I wanted to be part of the place where you can escape the world, and also wink at it.
So that’s our approach. Very simple, and we’re really shooting for Museum of Modern Art quality. The way we’re running the company, the product design, the advertising, it all comes down to this: Let’s make it simple. Really simple.” Apple’s design mantra would remain the one featured on its first brochure: “Simplicity is the ultimate sophistication.
I remember my parents taking me to see 'The Exorcist' in theaters when I was really young. They're Cuban and didn't really speak English, so I don't think they got that it was a movie about a girl possessed by the devil.
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level.
Research in education has shown that we remember field trips long into adulthood. I remember visiting the post office in second grade and looking at the sorting machine. I have vivid memories of that, when I don't even remember the name of the teacher who took me.
I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art.
My parents took me to a movie, and I remember wanting to sit apart from them for some reason. I wanted to be a big boy or whatever. I remember looking up on that screen. It was a movie about medieval knights. All I remember is saying, 'I want to do that. I want to make movies.'
I remember someone once said there is a practical aspect to my designs, and I remember thinking, 'That doesn't sound so creative,' but that is actually the truth. There is a practicality to it. I don't design just to design. There is a reason and, hopefully, an interesting reason behind it - that is where my creativity comes in.
It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met, principally because she disliked the Museum of Modern Art.
I remember as a little girl going down to the beet fields in the Dakotas and in Nebraska and Wyoming as migrant workers when I was very, very small, like, I was, like, 5 years old, I believe. And I remember going out there, you know, traveling to these states and living in these little tarpaper shacks that they had in Wyoming.
The place has had a super-conflicted relationship to its mission. In 1956, it opened as the Museum of Contemporary Crafts. Then in 1986 it had a midlife crisis and changed its name to the American Craft Museum. Then in 2002 the name changed again, this time to the Museum of Arts and Design. Maybe in 2025 the place will be called the Designatorium. The big problem with a museum of craft and design is that all art has craft and design.
Most people who'll remember me, if at all, will remember me as an action guy, which is okay. There's nothing wrong with that. But there will be a certain group which will remember me for the other films, the ones where I took a few chances. At least, I like to think so.
I think every little girl is fascinated with mermaids whether you are familiar with 'Splash' or 'Little Mermaid' or things like that. I did remember the film but I didn't watch it going into 'Aquamarine.'
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