I learned to stop being English about things like love. If you make a film in England about love, it's hugely complicated. It's all about saying what the weather is like, and you're secretly telling someone you love them. You know what the English are like; they're very repressed people. You don't get that in India. India is incredibly un-cynical about love. It's a not a complicated thing. It's me, you, love. Let's go.
American English is essentially English after having been wiped off with a dirty sponge.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
One thing I love about being back is English rain. Looking out of the window now, it's raining, and the sky is dark; I love it. To me, those are reassuringly English things. I love it when it rains.
...Something about, 'I love my dad, I love my dad, makes me feel better when I'm sad ... I love you to the moon and back.
I was wishing I was invisible. Outside, the leaves were falling to the ground, and I was infinitely sad, sad down to my bones. I was sad for Phoebe and her parents and Prudence and Mike, sad for the leaves that were dying, and sad for myself, for something I had lost.
It would be a sad day for India if it has to inherit the English scale and the English tastes so utterly unsuitable to the Indian environment.
Sometimes we get sad about things and we don't like to tell other people that we are sad about them. We like to keep it a secret. Or sometimes, we are sad but we really don't know why we are sad, so we say we aren't sad but we really are.
I suppose I've always had a very genuine curiosity about religion. I loved the atmosphere of churches, the ethos; I adored Evensong.
Most people like the sad songs. Some of the oldest songs known to man are sad. Listening to a voice singing something sad is a really great way to help you to feel sad when you need to.
I have a funny story to tell about English and how I came to fall in love with the language. I was desperate to fit in and spoke English all the time. Trouble was, in my household it was a no-no to speak English because somehow it is disrespectful to call parents and grandparents "you" - impersonal pronouns are offensive in Vietnamese.
Happiness takes work. It doesn't always fall off trees or come easily. You really have to be someone that doesn't fall prey to being sad. I don't want sad, I can't be sad, I don't want to be about sad; I avoid sad. It inherently envelops you, so do everything that you can to escape it all the time.
So you want another story?" Uhh... no. We would like to know what really happened." Doesn't the telling of something always become a story?" Uhh... perhaps in English. In Japanese a story would have an element of invention in it. We don't want any invention. We want the 'straight facts,' as you say in English." Isn't telling about something--using words, English or Japanese--already something of an invention? Isn't just looking upon this world already something of an invention?
It was a little bit strange as an English woman cast in 'Rebellion.' I read up about the events and, honestly, I knew very little about it to begin with it. It wasn't something that they cover in English schools at all.
Super Sad Generation' was essentially about the struggles that you go through when you're growing up in the world and trying to figure out what kind of person you want to be.
We are born sad and we die sad, but meanwhile we love bodies whose sad beauty is a miracle.