A Quote by Barbara Smith
One of the greatest gifts of Black feminism to ourselves has been to make it a little easier simply to be Black and female.
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Feminism as a theoretical enterprise is approached differently by Black women depending on where we are. There are more reformist Black women who tend to use the phrase "Black feminism".
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
If Black women stand strong and our commitment is to ending domination I know that I'm supporting Black males, Black children male and female Black elderly because the bottom line is the struggle to end domination in all its forms.
The leading distinction in magnets is the sex, male and female, and the next great difference in them is the colour. Those of Magnesia, bordering on Macedonia, are of a reddish black; those of Breotia are more red than black; and the kind that is found in Troas is black, of the female sex, and consequently destitute of attractive power.
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
The emphasis on personal responsibility is something we've had in black America from the get-go. Every major leader and intellectual worth her salt has advocated for black folk to better ourselves and push ourselves to the limits of our abilities and gifts. At the same time, we've got to focus on creating a society that recognizes our worth, regardless of race and other factors.
We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, 'But you're not actually black. You're black, but you're not black black, because your eyes are green.' I'm like, 'What? No, no, I'm definitely black.' Even some of my closest friends have said that. It's been a bit touchy for me.
Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.
I would say except when I have been attacked the black community has seldom seen fit to even mention the gay aspect. And since when I have been attacked I have usually been defended by the black community, I would say that the black newspapers have played it very straight. If I was attacked they simply published that I was attacked, if I was defended they simply said I had been defended. But I don't think they have taken any effort at maligning me or maligning gays or making any effort to give to people anything that wasn't news.
I'm a big fan of Tarantino's work, and I think I'm fascinated by his evident sense of entitlement to use black characters and black material that he feels not simply comfortable with, but that it's his right and privilege - the apparent ease with which he handles black characters, fully aware that he's been criticized for that, too.
Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.
The epidemic is truly black-on-black crime. The greatest danger to the lives of young black men are young black men.
We understand that, in our communities, black trans folk, gender-nonconforming folk, black queer folk, black women, black disabled folk - we have been leading movements for a long time, but we have been erased from the official narrative.
Sex workers are the last women police stand in to protect. Sex workers are the last people that room is made for in many ways. You get a different kind of feminism if you put people at the margins at the center. It's a recently resonant lesson, but black feminists have been saying this for decades. Now when I talk to people engaged in sex workers' rights advocacy and people who identify as intersectional feminists, this is the air they breathe. We can't just make feminism about improving the lives of all women. Because there is no such thing as all women and universal female experience.
It would be much easier to just make black, brown and beige clothes. But I do not see the world in black and white and beige. I find colors incredibly important.
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