A Quote by Barbara Walters
No one could ad lib like Peter. You would think that it was all scripted, he was so poetic, but it wasn't.
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I'm not an ad-libber. If I'm asked to ad-lib, I can ad-lib forever and it's really fun to do that, but I find that well-written scripts are put together very carefully. Once you start to ad-lib and add words to sentences, there's a slacking that happens. When it's good writing, it's taut. I'm not judging people who do ad-lib.
Generally, there's a lot of ad-lib involved with live TV and things like that, whereas with acting in front of the camera, it was, if you screwed up a line, well, you've got another take, and you also had a script to be able to study, so it wasn't all ad-lib and flying by the seat of your pants, which I like both aspects, actually.
We'd dub the one that came off best into the final transcription. It gave us a chance to ad lib as much as we wanted, knowing that excess ad libbing could be sliced from the final product.
I don't know why people think I'm this ad-lib dude.
You have to grab moments when they happen. I like to improvise and ad lib.
I ad lib most of my dialogue. If I did remember my lines, it would be too bad for me.
The pledge drive has everything going against it as broadcasting. It's repetitive. It's ad-libbed by people who can't ad-lib. It's about asking for money, which is something nobody wants to hear, even from their own relatives.
I don't worry too much about the script, I just ad lib, like Pearl Bailey.
In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.
The English language is rather like a monster accordion, stretchable at the whim of the editor, compressible ad lib.
I think when you look around this league, so much is scripted. And not scripted in a sense that the league is scripted, but when guys talk, it's like, 'Say this. Yeah, come out and say that.' Like, nah, I'm not doing that. I'm going to say what's on my mind. I'm going to say what's on my heart. It's just genuine speaking.
The average British person would hear me doing my joke about Rebecca Adlington and realise there's no malice in it. It was an off-the-cuff ad lib.
I can't ad-lib, or not for long.
Sometimes I try to improve the language, the lines, or the delivery, but I don't ad-lib because I think that makes it really hard for everybody else involved.
Honestly, I think we in the WWE are very underrated as performers. What we do would be very difficult for even an experienced actor. To go out and sometimes have 15 minutes of verbiage, sometimes have to ad-lib and then, of course, have other variables such as the interaction with the audience, it can be challenging.
Can't nobody do what Fetty Wap does. So when I go to the studio, it may be four to five hours max, probably three days out the week. I used to go to the studio for 10 to 15 hours, and I would do five to 10 songs. Now I go for four to five hours and I do, like, 15 to 20 songs. I'm an ad lib guy. Most people know me for my ad libs.
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