I remember when I was 5 living on Pulaski Street in Brooklyn, the hallway of our building had a brass banister and a great sound, a great echo system. I used to sing in the hallway.
If it looks like a hallway, feels like a hallway, and acts like a hallway—is it important to figure out that it isn’t a hallway?
I can draw pencil lines to show something is moving, but if I'm writing, I struggle with how to write it. The boy ran down the hallway? The boy ran quickly down the hallway? The boy ran down the marble hallway? I agonize over the words. So my editor works very hard. I'm lucky to have her.
I remember when I was at Brandeis, Geoffrey Wolff, he was a great fiction-writing teacher. He was the writer-in-residence, and for those of us who wanted to be writers, you were so excited to be in the same hallway as him.
When I lived in a little flat in Pimlico in 1981, I'd write in the hallway. As you walked in, there was a tiny little recess type thing, hardly a hallway, really, and I'd sit there writing songs with my guitar.
Sing!" Grandpa Smedry yelled, his voice echoing down a hallway to the right."Sing!" If he breaks into song I think I might have to strangle myself... I thought, cringing.
I used to have this joke: 'Every hallway is a runway.'
When you create those characters that people love and care about and put them in a dark hallway, already the audience is on edge, and they feel empathy for that character. Then it's up to me to decide what jumps out in that hallway. So I think laying that foundation of strong characters and strong story is the most important thing in a horror film.
When I think about how I grew up sleeping on a cot in the hallway in a one-bedroom apartment in Flatbush, it's been a great life. I can't complain.
What you can't teach someone is how to find the door. You can't give someone a door to another universe. You can tell them that the door exists, and if they're stuck in the hallway you can be like, "You're stuck in the hallway," but you can't open the door for them.
I felt vulnerable and very much between friends. I remember walking down the hallway and thinking I had no way of knowing what was coming, literally. This wasn't because I had some horrific bullying story, but because of a steady drip of negativity.
I used it in a shot where Richard Burton goes down the hall to get a gun in a closet. And I wanted to get some excitement, and the hallway was too narrow for the dollies that they had at that time. So it was quite useful.
I used to think I preferred getting old to the alternative, but now I'm not sure. Sometimes the momotony of bingo and sing-alongs and ancient dusty people parked in the hallway in wheelchairs makes me long for death. Particularly when I rememver that I'm one of the ancient dusty people, filed away like some worthless tchotchke.
I was 15 when I read the script for 'Earth to Echo.' I thought it was amazing, and I couldn't think of turning it down. It's awesome for a kid from Brooklyn to have an opportunity to be on the big screen. And I had a great experience learning what the movie business is like. So, I'm glad I did it.
Ministry of Sound was actually the first club I ever played in the UK, it must have been around 1993. Being invited to play was a big thing and visited many times since - The Gallery always has a great crowd, great sound system and just a great night.
There are so many ways of saying Hi. Hiss it, trill it, bark it, sing it, bellow it, laugh it, cough it. A simple stroll in the hallway calls for paragraphs, sentences in your head, decisions galore.
I always thought it would be a great thing to do an art carwash. So you can actually go and get your car washed, but while you're sitting around waiting you can walk in that hallway where you look at the cars going through the window, and that could be changing exhibitions.