A Quote by Barbra Streisand

The audience is the barometer of the truth. — © Barbra Streisand
The audience is the barometer of the truth.
There are only two possible forms of control: one internal and the other external; religious control and political control. They are of such a nature that when the religious barometer rises, the barometer of [external, i.e., political control] falls and likewise, when the religious barometer falls, the political barometer, that is political control and tyranny, rises. That is the law of humanity, a law of history. If civilized man falls into disbelief and immorality, the way is prepared for some gigantic and colossal tyrant, universal and immense.
You never know what you have until you put it in front of an audience. That's the truth. That's the truth of filmmaking and that's why you make movies, for an audience to, hopefully, enjoy it.
I use myself as the barometer to gauge what is scary. I like to think if something scares me, then there's a very good chance an audience will feel the same way.
Before speaking, consult your inner-truth barometer, and resist the temptation to tell people only what they want to hear.
I've had different opportunities in my life, but I've tried to maintain the spirit of an amateur. Our culture roots everything in the barometer of success and how much money you make. But if you really just aspire to a life in the arts, it's really not a barometer at all.
You have to have your own internal barometer of what is too far. I try and consider feelings of people in the audience. What you have to try and do is that when there is something that could be seen as a transgression, you actually have a reason to justify the joke.
Twenty-five, 30 years ago, the barometer of human rights in the United States were black people. That is no longer true. The barometer for judging the character of people in regard to human rights is now those who consider themselves gay, homosexual, lesbian.
I do movies that I would like to go and see. I think that's a good barometer of how I choose films. I like going to these movies. Our job is to make sure the audience gets their $16 worth. That's my job.
Today's comedian has a cross to bear that he built himself. A comedian of the older generation did an act and he told the audience, This is my act. Today's comic is not doing an act. The audience assumes he's telling the truth. What is truth today may be a damn lie next week.
Maybe I'm not giving people in the audience enough credit for actually thinking about what they're singing, but it's awesome when a rock'n'roll groove and melody can transport something from Barometer Rising or whatever [ed: it's from 1958's The Watch That Ends the Night] into [Toronto's] Molson Ampitheatre and have people just owning it.
I like Las Vegas because it kind of gives me a chance to gauge my material in front of a very diverse group of people. There are a lot of different people in the audience, and you can kind of get a barometer for how your material plays throughout the country.
The truth is that the heroism of your childhood entertainments was not true valor. It was theatre. The grand gesture, the moment of choice, the mortal danger, the external foe, the climactic battle whose outcome resolves all--all designed to appear heroic, to excite and gratify and audience. Gentlemen, welcome to the world of reality--there is no audience. No one to applaud, to admire. No one to see you. Do you understand?Here is the truth--actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested.
Today, blacks are no longer the litmus paper or the barometer of social change. Blacks are in every segment of society and there are laws that help to protect them from racial discrimination. The new ‘niggers’ are gays. It is in this sense that gay people are the new barometer for social change. The question of social change should be framed with the most vulnerable group in mind: gay people.
How forthright does the audience want the broadcasters to be? Because when you tell your truth, there's a lot of anger that comes out. I think it's a good question to ask TV people [executives] too. How much truth do they want to be told? How much truth does the league want told? Because the truth isn't just a positive truth. If you're going to tell the truth, you would be telling a lot of positive and some negative.
To speak truth to power is not a particularly honorable vocation. One should seek out an audience that matters - and furthermore (another important qualification), it should not be seen as an audience, but as a community of common concern in which one hopes to participate constructively.
William Shakespeare was a brilliant writer and he only wrote the truth. So, if I don't believe it, I have to work really hard to see what that truth is so that I do; that's the only way I can make it believable for the audience.
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