A Quote by Barbra Streisand

As a young woman, I wanted nothing more than to see my name in lights. — © Barbra Streisand
As a young woman, I wanted nothing more than to see my name in lights.
I certainly wanted my name in lights. I wanted my name on a marquee. I wanted recognition on Broadway.
The best motivation for anyone-including employees-is to hear or see our name as often and in as many places as possible. Our name is the most potent sound we can hear and see. If you want to motivate someone put their name up in lights and/or sing it from the rooftops!
Nothing is more embarrassing than calling someone the wrong name, but nothing is harder than trying to pretend you know someone's name when you don't.
She had wanted more than she could have. She had wanted him, and more... she had wanted him to want her. In the name of something bigger than tradition, bolder than reputation, more important than a silly title.
There is nothing more humanly beautiful than a woman's breasts. Nothing more humanly beautiful, nothing more humanly mysterious than why men should want to caress, over and over again, with paintbrush or chisel or hand, these oddly curved fatty sacs, and nothing more humanly endearing than our complicity (I mean the complicity of women) in their obsession.
The WNBA changed the equation for a young female broadcaster who wanted nothing more than to remain close to the game, and call basketball games.
I guess he wanted to see a little more sexual activity because in real life, in bed I think less is more and let the woman come to me. Frankly, I don't even need a woman there.
I wanted [the book 'There are More Beautiful Things Than Beyoncé?'] to be colorful. I wanted it to be evocative. I wanted a figure of a black woman that the reader has to confront.
An important aspect of the ebbing of sex was that other things became interesting. Sex obliterates the individuality of young women more often than it does that of young men, because so much more of a woman than a man is used by sex.
Nothing is less promising than precocity. A young thistle is more like a future tree than is a young oak.
Brits and Americans have hundreds of different phrases for the same thing. Luckily, it's usually a source of amusement rather than frustration. A flashlight by any other name is still a torch. My personal favourite is 'fairy lights,' which we boringly refer to as 'Christmas lights.'
Guinevere has been done quite a few times, especially as a mature young woman, who either is the damsel in distress or the warrior, strong-willed woman. Chris wanted a variety of things in this Guinevere. He predominately wanted her to be real and natural, and make mistakes and be passionate, and be the feisty young girl, but then also completely naive, innocent and ignorant, at the same time.
Our society on a whole is trained to see young women. There are proportionally far more of them on magazine covers, on TV, and in films than int the actual population. As a result, we have a citizenry taught to see the young and ignore the not-so-young. It isn’t conscious; it’s Pavlovian. (13)
Wit is more necessary than beauty; and I think no young woman ugly that has it, and no handsome woman agreeable without it.
I came from the country, and when I came to the city, I was ridin' high, you know. I was seeing more lights than I ever dreamed to shine in the world. 'Cos where I came from, there wasn't too many lights. Bugs made a lot of light, but after that there wasn't no lights.
These earthly godfathers of Heaven's lights, that give a name to every fixed star, have no more profit of their shining nights than those that walk and know not what they are.
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