A Quote by Barbra Streisand

I hate tooting my own horn, but after Steven Spielberg saw Yentl, he said: "I wish I could tell you how to fix your picture, but I can't. It's the best film I've seen since Citizen Kane".
I'm a humorist. A guy like Paul Simon just makes my life so much simpler. When I was there, he had a hearing against hate. Steven Spielberg came and testified against hate. Paul Simon said hate was bad. Orrin Hatch was there, and he was against hate too. Everyone was opposed to hate. Is this really a wonderful way to spend our tax dollars, to have these men drone away about how against hate they are?
When kids like Steven Spielberg were eight and nine and 10, they had little cameras, and that's all they wanted to do. When I was 10, I was in my attic pretending to host my own variety show. Spielberg wasn't. That's why he's a film director, and I'm doing what I'm doing.
I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'
Sitting opposite Steven Spielberg, while he turns the pages of your script and talks about each scene as he goes, is about the best film school you can get.
Most of promoting seems unnatural to me, and I wish I didn't have to do it. I'm not especially good at tooting my own horn. However, I do love to connect with readers. That's why I try to keep up with my social media even when I don't have a new book coming out.
I don't know when the last time was that Steven Spielberg or George Lucas made a movie with Universal, but I can tell you that Universal is leading the charge. They're looking at film differently. They're planning ahead in a way that I've never seen a studio do before. They're believing in a relationship between fan and film franchise, in a new way. They're more receptive to an audience, in part because of social media, in a way we've never been allowed.
I don't like the word 'perfectionist,' because it's self-flattering. It's tooting your own horn and implies that you actually can achieve perfection. I prefer 'particularist.'
Tooting my own horn is of no interest to me... it takes you away from real life. It's a waste, and I don't find a need to sing my own praises.
Eight years ago, I was a waiter, and I didn't have a pot to piss in. And now...? It's like I said to my wife: I love the fact that, if I was in a restaurant and Steven Spielberg walked in, I could go up to him and say, 'Hey, mate, how are you?' I think that's pretty amazing, actually.
I wish I could just go tell all the young women I work with, all these fabulous women, 'Believe in yourself and negotiate for yourself. Own your own success.' I wish I could tell that to my daughter. But it's not that simple.
I mean, everyone says Citizen Kane. It isn't that great, anyway. And Orson Welles I knew well, of course. He made other incredible films that no one would let him make, which were much better than Citizen Kane, really.
You make a film and always hope you're going make "Citizen Kane" or "The Bicycle Thief." You make the film, and for one reason or another, one clicks and one doesn't, but it's out of your control completely.
Orson Welles lists Citizen Kane as his best film, Alfred Hitchcock opts for Shadow of a Doubt, and Sir Carol Reed chose The Third Man - and I'm in all of them.
I was there. I saw your sons and your husbands, your brothers and your sweethearts. I saw how they worked, played, fought, and lived. I saw some of them die. I saw more courage, more good humor in the face of discomfort, more love in an era of hate and more devotion to duty than could exist under tyranny.
The first person to make me realize there was someone behind the film was Steven Spielberg.
I can imagine [the government] trying to tell Steven Spielberg 'We need 50 different cuts of your movie for each state.' It will screw us up in a real way.
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