A Quote by Barbra Streisand

What reaches an audience is honesty. If you're saying something truthful that's supposed to be a funny line, it's going to be funny. And if it's supposed to be a serious line, it's going to be serious. But, I don't think there's a distinction between how you play drama or comedy, if it's based in the truth.
The bottom line of comedy is to be funny, and the bottom line of drama is to be truthful. You can be truthful and funny, but if you're not truthful in a drama than the audience leaves you.
The truth of it is that people are not going to want to go to improvisational theater if it's not funny. You can succeed in doing all the things you're supposed to do - be truthful to scene - and if it's not funny, I'm telling you that no one's gonna care.
I always believe that funny is serious and serious is funny. You don't really need a distinction between them.
In order for comedy to be funny you have to play the truth of the moment. But if you're not being completely truthful to the basis of the character, its not going to be funny.
I love to do comedy, and I don't think of things as drama or comedy. I think that if it's a funny line, it's a funny line. If it's a funny moment, it's a funny moment.
Most of the jokes that I wrote were funny and there always seems to be an aspect of comedy in my long-form work. I think that's how life is. I think even the more dramatic moments of one's life are often punctuated by very funny comments or situations. I like to say, "Keep your comedy serious and your drama funny, and you'll be pretty true to life."
Comedy is not supposed to be funny. Its supposed to tell the truth and then that's funny.
If I'm in a serious play, I often think to myself, 'I could make that line funny.'
I did a lot of serious plays, and I did the Oxford Review as well, which is supposed to be funny, but I'm not sure how funny we were when we did it. Then, when I finished my course, it was only then that I decided to go to drama school and try and do acting because I was enjoying it so much and so on.
I'd say Jon Stewart has remained funny the entire time. Jon always makes it funny first. And he's just, he's talking about serious things, but in a funny way. Other comedians will talk about serious things in a serious way, and then you don't know what's going on.
It's just my natural way - to be funny. I don't know why that is. But as I've said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.
The real challenge in acting is in comedy. It's easier to get that gasp in a drama. Not easy, because you still have to find that emotional pitch. And when you do something in drama and you hear that sob from the audience it's so fulfilling. But as a comic actor, when the laugh is supposed to come and you punch in that line and nothing happens it is dreadful. It's horrific and you feel like dying right there.
I think funny comes from tragedy and time. And I think that's where I get it. I'm able to take things that are serious and sad, and turn it into funny. In all honesty - this is after a lot of therapy - I think that, you know, I need love from something, and so now, I find it through performing.
If you tell the reader it's funny, then the audience is like an audience at a stand-up comedy club and they expect you to be funny, and if you're not, they notice. Whereas if you read a regular op-ed about Israel or the family or medicine, you're not starting with the assumption that you're supposed to laugh.
Laurence Olivier said in an interview once that when he plays a tragedy he always aims for the funny parts, and the other way around. Because in a comedy you look for what's serious. I think that's true. Sometimes things are really funny if you're absolutely earnest. If you're really serious, it's hilarious.
If I'm in something funny, I like to try and find some kind of serious line in it that people can relate to.
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