A Quote by Bari Weiss
I don't trade on my sexual identity in that way for political points. I think that's lame, and it's not my style.
Related Quotes
Each human being has his or her own sexual identity and should be able to exercise that identity without guilt as long as they do not force that sexual identity on others.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
Hip-hop is all about impact, baby. You can sell records, you can be two-times platinum, you can be gold... but if you lame, you lame, man. We try to provide the exact opposite of that. It's style, individuality, confidence. We exude that.
I think that sexual pleasure and the weird color of the sky after a storm or the stream of tail lights across the bridge or the way silence can thin or thicken before music starts - all these things have to be harnessed by the political. The libidinal has to be harnessed by the political.
I confused gender identity with sexual orientation. Your gender identity is about who you are, how you feel, the sex that you feel yourself to be. Sexual orientation is who you're attracted to.
The corniest movie ever made about the white man's need to lose his identity and assuage racial, political, sexual and historical guilt.
Identity is very personal...identity is political. My identity is what is and it is what it's gonna be. And I don't think that any information will change that profoundly...I [already] know that I am a Black woman, and a Black woman who has mixed some heritage, like most African Americans.
I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.
I stood on Susan Boone's front porch, feeling lame. But then, since I've pretty much felt lame my entire life, this was no big surprise. On the other hand, usually I felt lame for no particular reason. This time I really had a reason to feel lame.
Your gender identity is who you are. Sexual identity is who you bounce that off of.
Your ethnic or sexual identity, what region of the country you're from, what your class is - those aspects of your identity are not the same as your aesthetic identity.
It would be a sad story to get rid of religious belief, national identity, family, and even sexual identity. That's not freedom.
We talk about sexual harassment in the workplace, but there's sexual harassment in schools, right? There's sexual harassment on the street. So there's a larger conversation to be had. And I think it will be a disservice to people if we couch this conversation in about what happens in Hollywood or what happens in even political offices.
I don't think that there is one "authentic" element of American style to identity - it's about a sense of freedom, individuality, and embracing personal style. Fashion also has a bit of mystery, which is part of the allure, and yet anyone can partake.
I don't think people go to musicians for their political points of view. I think your political point of view is circumstances and then how you were nurtured and brought up.
This is easy to say with the benefit of hindsight, but I think it once again points out how very important style of leadership, that is the way he does what he does, is to his perception.
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