A Quote by Bari Weiss

'Annie Hall' and 'The Graduate' are incredible films. Why should we be deprived of watching them because some of the men that made them are bad? — © Bari Weiss
'Annie Hall' and 'The Graduate' are incredible films. Why should we be deprived of watching them because some of the men that made them are bad?
One of the reasons why I fought for my roles is that I think there are so many things about them that are just human, but people like to label them as weird or bad or wrong because they're scared of them. I don't consider them bad - they're girls. They're going to make mistakes, but the films show the repercussions and show that they're going to learn. A lot of people are made to feel bad for being sad, so on top of already being unhappy, you're gonna hate yourself for it.
I've lost a bunch of friends - some of them in jail, some of them made bad choices, some of them aren't where they should be.
The reason why the simpler sort are moved with authority, is the consciousness of their own ignorance; whereby it cometh to pass that having learned men in admiration, they rather fear to dislike them than know wherefore they should allow and follow their judgments. Contrariwise with them that are skilful authority is much more strong and forcible; because they only are able to discern how just cause there is why to some men's authority so much should be attributed.
I was sorry for her; I was amazed, disgusted at her heartless vanity; I wondered why so much beauty should be given to those who made so bad a use of it, and denied to some who would make it a benefit to both themselves and others. But, God knows best, I concluded. There are, I suppose, some men as vain, as selfish, and as heartless as she is, and, perhaps, such women may be useful to punish them.
I realized some of the films I did, after a few hits that I had, they weren't working for me because I wasn't comfortable in the roles I was playing. That's why probably people thought I was a bad actress and I don't blame them.
I love Diane Keaton's style in 'Annie Hall,' but I like to think my own style is like a cross between 'Annie Hall' and Prince.
I have younger kids, and I adopted them late in life. They don't know these people [from Annie Hall] at all.
We have not made cricket and football [soccer] professional because of any astonishing avarice or new vulgarity. We have made them professional because we would have them perfect. We have dedicated men to them as to some god of inhuman excellence. We care more for football than for the fun of playing football.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
Governments, like clocks, go from the motion men give them, and as governments are made and moved by men, so by them they are ruined too. Wherefore governments rather depend upon men, than men upon governments. Let men be good, and the government cannot be bad; if it be ill, they will cure it. But if men be bad, let the government be never so good, they will endeavour to warp and spoil it to their turn.
Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you're deprived of it.
I grew up with a lot of guys, some of them are dead, some of them are this and some of them that, and some of them very, very powerful, bright young men, who became this instead of that simply because of a lack of guidance - that's all.
Did you ever see so many pee-wee hats, Carl?" "They're beanies." "They call them pee-wees in Brooklyn." "But I'm not in Brooklyn." "But you're still a Brooklynite." "I wouldn't want that to get around, Annie." "You don't mean that, Carl." "Ah, we might as well call them beanies, Annie." "Why?" "When in Rome do as the Romans do." "Do they call them beanies in Rome?" she asked artlessly. "This is the silliest conversation.
The fact that I do place music at the end of my films is not to accentuate the emotion. It serves an opposite purpose which is to remove them from the emotional space and allow them to enter a space of thinking, because I believe that when the audience is watching the film they're watching it with their feelings.
I loved films like 'When Harry Met Sally' and 'Annie Hall,' but these were very specific, white Manhattan experiences. You don't see a single person of color anywhere, but somehow these films are universal. As a filmmaker and creator, I was frustrated with that idea.
These movies are like my kids. I just love them to death. Some of them go to Harvard and some of them can barely graduate high school.
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