A Quote by Barney Frank
I had always been interested in politics. I had assumed, for a variety of - well, for two reasons, being Jewish and being gay back in the late '50s, early '60s - that I would never be elected or anything, but I would participate as an activist.
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I had always been interested in politics. I had assumed - for two reasons, being Jewish and being gay back in the late '50s, early '60s - that I would never be elected or anything, but I would participate as an activist.
I have seen a lifetime of transgender people and it was hard enough being gay in the '50s and early '60s. One couldn't imagine the cruelty that trans people had to face back then.
I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late '50s and early '60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
For the most part, it was never assumed that I was gay, and I've had people be sort of surprised that I was gay or act apologetic like they didn't know, which would just make me really uncomfortable. And I never had shame for it, but I never felt like introducing myself as, 'I'm Antoni. I'm gay. How are you?'
My mom would always play me a lot of late-'50s, late-'60s rock.
Under the guidance of the Reich, Europe would speedily have become unified. Once the Jewish poison had been eradicated, unification would have been an easy matter. France and Italy, each defeated in turn at an interval of a few months by the two Germanic Powers, would have been well out of it. Both would have had to renounce their inappropriate aspirations to greatness. At the same time they would have had to renounce their pretensions in North Africa and the Near East; and that would have allowed Europe to pursue a bold policy of friendship towards Islam.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
My biggest regret? Well, I got my boobs done in my early 20's and if I had known it would or could possibly have impacted production of milk, I would never have had them done. I love being a mom.
I would never have expected anything that I did would ever appear in first-rate museums around the world. That was just a choice that I made, very early on. I was interested mainly in the entertainment arts. I wasn't as interested in being a fine artists.
My mother had her dresses made. In those days in Chile, the early '70s, people had dressmakers make their things. With the leftovers, my sister and I always had a matching outfit. She had an outfit, we had the mini version. That was the very late '60s, early '70s way to dress your kids.
We definitely need more women in politics. We don't want women in their late teens or early twenties who are interested in politics to think they would never go into it.
If I had been prime minister, I would have offered apologies to the Dutch Jewish community without hesitation. This would refer both to our government's attitude during the Second World War and to the very late postwar discovery that the restitution process had been poorly conceived.
It never hurts to be involved in any political or activist organization. I can never see how participation would be a bad thing. The key is being true to what you participate with and who.
When I was growing up in the '50s, I had never heard of a "woman film director," so I did not consider it as an option. But I was fortunate that in the late-'60s and '70s, because of the feminist movement, women were stepping into all sorts of careers that had been closed to them in the past and film was one of them.
My father served as an Army doctor in West Germany in the late '50s and early '60s. As a result, he and my mother - both native southerners - were acutely aware of what had happened during the Holocaust.
I had been at the director's workshop for women at the AFI, which at the time was a great thing to do. I had always meant to direct, and for a variety of reasons that are hard to explain, I never did. I produced many things - there'll be people who tell you I directed through them - and of course I wrote. It took a divorce, a move back to New York and a kind of "now I can do anything" to say, "I really want to do this."
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