A Quote by Barney Kessel

Charlie Christian showed me a lot, and was a great help, but even then, I realised that if I was going to make it, it was no use copying Charlie — © Barney Kessel
Charlie Christian showed me a lot, and was a great help, but even then, I realised that if I was going to make it, it was no use copying Charlie
Even if I don't see Brooklyn I have to see Anomolisa, because it's Charlie Kaufman. No one is doing things that they should't be doing more in cinema than Charlie Kaufman. This is how I look at it: he had an incredible story that was going to resonate regardless, but just shooting that movie is too easy for Charlie Kaufman.
But Charlie, Charlie, how can we ever really know anything? Charlie, what or who is God?
For Charlie and the Chocolate Factory, he came to me and said, "I want to do everything that's in the book, and as much more as you need, so that it all makes sense." I was like, "Okay!" And then, I would pitch back to him my love for Charlie Bucket's family and how lucky Charlie was, and that I felt so bad for Willy Wonka, shut up in his factory, all alone with these crazy Oompa Loompas.
I grew up listening to Ravel, Debussy, Bartok and jazz like Charlie Parker, Dizzy Gillespie, Cannonball Adderley, Charlie Christian and Django Reinhart. It was incredibly inspiring! And I was given a guitar and I said 'What the hell is this?!'
I met Charlie Trotter before I actually saw him in person; I was 24 when I first opened the pages of Charlie's cookbook 'Charlie Trotter's' and was greeted by a man I would know and admire for the next 20 years.
Of course, I still saw Edward at school, because there wasn't anything Charlie [her dad] could do about that. And then, Edward spent almost every night in my room, too, but Charlie wasn't precisely aware of that. Edward's ability to climb easily and silently through my second-story window was almost as useful as his ability to read Charlie's mind.
Lucy: Do you think you have Pantophobia, Charlie Brown? Charlie: I don't know, what is pantophobia? Lucy: The fear of Everything. Charlie: THAT'S IT!!!
Charlie would be so proud of what these young people are accomplishing today and, in true Charlie fashion, would encourage them to walk to the very edge of their comfort zone and then take another step.
LINUS: Where are you going for Thanksgiving, Charlie Brown? CHARLIE: My father, my mother, Sally, and I are all going to my grandmothers for dinner. SALLY: Do you want to come too, Linus? We can hold hands under the table. LINUS: BLECH!
Charlie …" Silena’s eyes were a million miles away. "See Charlie.
I know Charlie Kaufman really well, for instance. Charlie Kaufman starts a story, and he has no freaking idea where he's going. None. Zero. And he doesn't want to know, because there's a little bit of death in that.
Ornette Coleman wasn't sure whether he was going to continue with Charlie Haden-Charlie had some personal problems. I said "You've got to be kidding! There's no one on the globe who will be able to accompany you" and no one ever did. [Scott LaFaro] was playing atonally and certainly Ornette was not an atonal player. Jimmy Garrison was a tonal player. He wasn't even polytonal or atonal.
In the wake of the deaths of the satirists, Je suis Charlie, I am Charlie, became a slogan of solidarity for free expression around the world.
. . . You seem upset, Charlie. Is something wrong? Charlie: No, no, I’m okay, I just had to take directions from a mute beaver in a fez to get here, it’s unsettling.
Of all the Charlie Browns in the world, you're the Charlie Brownest.
I love Charlie Brooks. Charlie is my girl!
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