A Quote by Barney Rosset

Opens up a whole new view of Beckett. The strong mutual attraction between Beckett and Cunard may help explain the leftist political views he expressed both in these superb and long-neglected translations for Negro and elsewhere in his work.
When I was a very young student I loved and admired the work of Sam Beckett, who is famously pessimistic, and whose writing is an extraordinary examination of emptiness. I wanted to be like Beckett. I don't have the same attitude toward the world, I'm naturally optimistic, and so of course I could never be like Beckett. You can't force yourself to become like someone you admire.
At Princeton I wrote my junior paper on Virginia Woolf, and for my senior thesis I wrote on Samuel Beckett. I wrote some about "Between the Acts" and "Mrs. Dalloway'' but mostly about "To the Lighthouse." With Beckett I focused, perversely, on his novels, "Molloy," "Malone Dies," and "The Unnamable." That's when I decided I should never write again.
I've played Beckett. I put on in the 1950s the first Australian production of 'Waiting for Godot.' I played Estragon. The most interesting conversation I've had about Beckett was with a Dublin taxi driver.
He [Samuel Beckett] is great, a very great writer. Any modern writer is bound to be influenced by [James] Joyce. Of course, by Beckett as well.
My son is actually named after Beck, the musician. We heard Beck on the radio and thought that was a good nickname for a child. We named our son Beckett so we could call him Beck - we reverse engineered. And then after he was born and I saw the name on the birth certificate I realized Beckett was a really pretentious name, way too literary. Luckily he's grown into it. We nearly named my second son Dashiell. Can you imagine? Beckett and Dashiell. It would have been a disaster of pretentiousness.
Samuel Beckett is the person that I read the most of - certainly the person whose books I own the most of. Probably 800 or 900, maybe 1,000 books of just Samuel Beckett. By him, about him, in different languages, etc. etc. Notebooks of his, letters of his that I own, personal letters - not to me, but I bought a bunch of correspondence of his. I love his humor, and I'm always blown away by his syntax and his ideas. So I keep reading those.
Artemis: "Right, brothers. Onward. Imagine yourself seated at a cafe in Montmartre." Myles: "In Paris." Artemis: "Yes, Paris. And try as you will, you cannot attract the waiter's attention. What do you do?" Beckett: "Umm...tell Butler to jump-jump-jump on his head?" Myles: "I agree with simple-toon." Artemis: "No! You simply raise one finger and say clearly 'ici, garcon.'" Beckett: "Itchy what?
I have 800 books of just Samuel Beckett's work, tons of his correspondence, personal letters that he wrote. I have copies of plays he used when he directed, so all of his handwritten notes are in the corners of the page.
I have also been attacked by my opponents as someone seeking to purge university faculties of leftist professors. This is false. The first provision of the Academic Bill of Rights is that no professor should be hired or fired because of his or her political views. I have never myself called for the firing of any professor for his or her political views, nor would I.
Classic romantic love is an emotional attraction between two individuals in which they may share a heightened awareness of mutual adoration. Erotic love, traditionally, has been described as shared sexual attraction.
Through mutual understanding, sincerity and goodwill, and with great wisdom and broad views, the leaders on both sides should jointly initiate new opportunities for peace, stability, cooperation and mutual benefit.
Samuel Beckett's estate will not license productions of his plays that are not performed as written.
Beckett was the most thorough of playwrights. He tells you what to do and if you've any humility at all, you'll take his advice.
All of a sudden we were going on school trips, seeing these amazing plays by the likes of Samuel Beckett. My whole world went from 'This is really fun' to 'This is fascinating to me'.
My favourite writer is Beckett and I keep going back to wallow in his work like a deep pool of dark humour or like an oxygen tank when you can't breath in a world consumed by piety, hypocrisy and self-satisfaction.
My exposure to Beckett and to late O'Neill was probably important right at the time I gave up poetry and the novel.
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