A Quote by Barney Rosset
Waiting for Godot was not allowed. Neither was Henry Miller. The Soviets condemned them both. Miller would have been used as an example of decadence, being a very good analyst of how terrible and monstrous American culture was. That they liked, but they wouldn't publish him. I guess it must have been the sex. With Beckett, it must have been the hopelessness.
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Henry Miller wrote novels, but he calls his protagonist Henry, often Henry Miller, and his books are in this gray area between memoir and novel.
I have been accused of having believed when I wrote Sex and Temperament that there are no sex differences... This, many readers felt, was too much. It was too pretty. I must have found what I was looking for. But this misconception comes from a lack of understanding of what anthropology means, of the open-mindedness with which one must look and listen, record in astonishment and wonder, that which one would not have been able to guess.
I want to show you how Stephen Miller is just good, folks. He's simply good. He needs to be doing more of these. The first time he went public as a spokesman for Donald Trump was on This Week with George Stephanopoulos. Stephen Miller was unflappable. He didn't lose his temper. He smiled. It appeared that Miller knew he was talking with somebody who didn't know what he was talking about and remained composed and polite.
Without Virginia, as we must all acknowledge--without her Patrick Henry among the people, her Lees and Jefferson in the forum, and her Washington in the field--I will not say that the cause of American liberty and American independence must have been ultimately defeated--no, no, there was no ultimate defeat for that cause in the decrees of the Most High; but it must have been delayed, postponed, perplexed, and to many eyes and hearts rendered seemingly hopeless.
I think Henry Miller has had huge influence not because he wrote about sex, but because the memoir or the nonfiction novel has become such a monumental force in American publishing, if not in literature.
American capitalism has been both overpraised and overindicted. It is neither the Plumed Knight nor the monstrous Robber Baron.
Samuel Beckett's 'Waiting for Godot,' billed as 'the laugh sensation of two continents,' made its American debut at the Coconut Grove Playhouse, in Miami, Florida, in 1956. My father, Bert Lahr, was playing Estragon, one of the two bowler-hatted tramps who pass the time in a lunar landscape as they wait in vain for the arrival of a Mr. Godot.
It must have been horrible for my parents to see me go from public school to comprehensive to detention centre to borstal. I was busy ploughing my own furrow, but I must have been a terrible worry to them, and for that I am sorry.
And the books you write. They're not you. They're not me sitting here, this Henry Miller. They belong to someone else. It's terrible. You can never rest.
I've always been inspired by Genet, Henry Miller and Hubert Selby, Jr., who taught me that you've got to tell a bigger truth in whatever you're doing, but the truth is not popular.
Unfortunately, I'm not a history buff. I don't read biographies, except of some of those writers whom I've collected over the years - particularly Samuel Beckett and Henry Miller, people like Charles Bukowski and John Fante and David Foster Wallace.
In the cruel and terrible time in which our generation has been condemned to live on this earth, we must never make peace with evil. We must never become indifferent to others or undemanding of ourselves.
Johnny Miller is a very honest guy. That may have been to his detriment sometimes. On television, he's too honest. We talk about it a lot. Do you really need to be that honest? You know what I mean? But he's a good man. He's a good family man. He's got good values, and we're delighted to have him as our honoree.
I've been waiting to get back in the Miller Lite Ford since Homestead. The team at the shop have put a lot of effort into building me a fast Ford Fusion for Speedweeks. Being in the Unlimited gives us a chance to see what we've got to work with for the Daytona 500. I think both myself and Joey in the No. 22 will be fast down here. I'm ready to go.
I've played Beckett. I put on in the 1950s the first Australian production of 'Waiting for Godot.' I played Estragon. The most interesting conversation I've had about Beckett was with a Dublin taxi driver.
I would have started writing a lot earlier if I hadn't been [Arthur Miller's daughter].
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