A Quote by Baron Davis
I always like to shop and for me it was just about seeing things I like and making it part of my wardrobe and collecting things that I could always bring back when I'm like 50, 60 years old.
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As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
I can be 60 years old, but I can always go back and play like I once did by just playing a video game. It's really great.
I've always loved horror, I've always loved collecting, I've always loved weird and macabre things, and I've always loved conventions. So what could be better than having your own Fear FestEviL where all those great and crazy things can be enjoyed by like-minded people under one pretty cool roof? Nothing!
There were times I used to go to parties when I was, you know, like 15-, 16-years-old, and I'd always bring my guitar, and all my friends would be like, sing one of the Smokey songs. And everything I sang was his music, and I could sound just like him.
When I was about, I'd say, 18 or 19 years old, I wanted to be a part of the CIA just because they know those intimate secrets... So I was just always into knowing. I like to know things.
It's not going to matter, but there's a part of me, a human part of me, that wants to be 60 years old, watching a Seahawks game, and they're talking about the days back when I was playing. I want to be able to feel that. I want to know what that feels like.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
It doesn't seem like it's been 50 years. I don't even feel like I'm 50 years old yet, though I've had all these knee and back operations.
I was always dreaming about very powerful people. Dictators and things like that. I was always impressed by people who could be remembered for hundreds of years. Even like Jesus, being remembered for thousands of years.
Even though the public may perceive me differently, I always feel like I'm learning something new, and I like seeing myself this way. It keeps me focused on doing things with the love and care that comes from knowing you can always improve. I always have that in my head.
I saw 'Sleeping Beauty' when I was, like, 6 years old at the Mercury Theatre. Then, when I came to Disney, I was in the company of these wonderful artists. People like Glen Keane, like Mark Henn, who were brilliant animators who could really bring these things to life.
Live your life like you're 80 looking back on your teenager years. You know if your dad calls you at eight in the morning and asks if you want to go out for breakfast. As a teenager you're like no, I want to sleep. But as an eighty year old looking back you have that breakfast with your dad. It just little things like that, that helped me when I was a teenager in terms of making choices you won't regret.
For me, this profession is about having a career where you can go on working for 60 years, so I'm not particularly bothered by things to do with fame; I like to think that I just do what I do.
For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.
I think all writers are always collecting characters as we go along. Not just characters of course, we're collecting EVERYTHING. Bits and pieces of story. An interesting dynamic between people. A theme. A great character back story. A cool occupation. The look of someone's eyes. A burning ambition. Hundreds of thousands of bits of flotsam and jetsam that we stick in the back of our minds like the shelves full of buttons and ribbons and fabrics and threads and beads in a costumer's shop.
I've always believed comics should bring in things like that, and they haven't for a very long time, in general. You always get people complaining, "What's it going to look like in 10 years' time?" It's ridiculous. Everything is going to age. If you try and avoid dating it, you just end up with something that doesn't mean anything.
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