A Quote by Baron de Montesquieu

The English are busy folk; they have no time in which to be polite. — © Baron de Montesquieu
The English are busy folk; they have no time in which to be polite.
The English are busy; they don't have time to be polite.
The happiest folk are those that are busy, for their minds are starved of time to seek out woe.
The English are polite by telling lies. The Americans are polite by telling the truth.
Not long time ago there was a striking example of the extent to which English has diverged: a television company put out a programme filmed in the English city of Newcastle, where the local variety of English is famously divergent and difficult, and the televised version was accompanied by English subtitles!
We understand that, in our communities, black trans folk, gender-nonconforming folk, black queer folk, black women, black disabled folk - we have been leading movements for a long time, but we have been erased from the official narrative.
I'm a folk preacher. A folk therapist. A folk musician. I come from authentically that which is of my experience. Therefore, the music is strictly from the soul, strictly improvisational.
What I see as specially English is the charm - everyone is so polite. Being restrained is part of the charm. And I love the sense of humour - it takes me back to Australia. The English are great at making fun of themselves. They're so self-effacing.
. . . the fact that [English] has shed most of the old grammatical forms which time has rendered useless and scarcely intelligible, has made English a model, pointing the way which must be followed in building the Interlanguage. . .
The vast majority of English folk cannot and will not consider a picture as a picture, apart from any story which it may be supposed to tell.
Cornelius Cardew very famous in Britain, because he was the darling of the avant-garde, and he played in a band called AMM, which was an improvising band in the '60s. Paul McCartney used to come watch them. Later on in life, he became disenchanted with avant-garde music, because he felt it couldn't reach the public. It didn't have a wide enough appeal. So he'd take these tunes of old English folk songs and write Stalinist lyrics over the top of them. I do think that when he changed to folk songs, he actually lost the tiny audience he already had, which is quite interesting.
I do notice that I spend a lot of all my time steeped in different forms of myth, such as English folk music, for example, not really studying it necessarily, but just trying to experience it so I can recall it later.
I spend more time learning about Buddhism than English, which is why my English today is still bad.
Before, if your phone was busy, your phone was busy. You had no cell phone. Now people work 24/7, their BlackBerry keeps them busy, and e-mail - and when do they have time for other pursuits? When do they have time to be politically active?
There's not that much English folk music that is really that appealing.
Being English, we're polite and reserved, we don't express our opinions; we're very private people.
With 'Ta chuma,' which is a Garhwali folk song, I feel that there will be a strong connect which people will feel and they will get closer to folk music.
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