A Quote by Baron Vaughn
I come back to Vegas pretty regularly. Quick visits, and I usually just kind of lay low, see my mom, and then get out of there. But every now and then, I'm able to kind of come for extended stays and see some people.
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Every now and then, you'll get one of those days when you're feeling rubbish or when you have to pretty much drag yourself out of bed to get to training. But then you'll see the Olympic pool, and all the excitement and adrenaline will come rushing back.
I think that was kind of always my goal: get people to come back and see a show twice and then see it a third time. And now I've got people who have been to 30, 40 shows.
So, I think it has to do with the product and what you take to the public. If they like it, they're going to come see you, and if they don't, and if you're kind of getting out of the trendy line of things, then they won't come see you.
There are a lot of perks that come with fame and with every positive there's a negative and then it all kind of balances out. The travelling is great. You get to see so many different places but there's a downside; having everything splattered across every media resource that exists, being chased by photographers and have them sit at the end of your driveway every day. But it all kind of balances.
I have kind of a short attention span, so if it doesn't come really quick then I set it down, and hopefully come back to it another time.
It's funny how many people will come to Vegas to see your show where they might not come out to see you unless you come to their hometown.
So, the role of a producer is to kind of look at the show, kind of give our takes on what we see, and that'll be prior to the production meeting. Then, we kind of get assigned our matches and our segments, and then we - I like to go and collaborate with talent, and we put together what we see on TV every Monday and Friday.
It's just a lot of fun to be able to see your ideas come into fruition. And to see people translate the things that come out of my mind vocally. And to be able to produce vocals and give people my point of view musically. And to be able to sit in the crowd and see people sing the song that I wrote, it's an amazing feeling.
Percy: Don't I get a kiss for luck? It's kind of a tradition, right? Annabeth: Come back alive, Seaweed Brain. Then we'll see.
On Monday I come in and get in a full body workout, and then I come back in on Wednesday and do a quick six, which consists of bench press, biceps and triceps curls, pull downs, something for the back and the neck. And then you come back and hit it again on Friday with a 16-machine workout.
My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.
You know, people see [August: Osage County], and I tell them that it's based on my family, and they assume that I came from some kind of horrible, hysterical circumstances. That's not true. My family, my nuclear family, was actually very close. My mom and dad were great parents and they encouraged a real rich, creative life for me and my brothers. My extended family, like every family, has some darkness, and some violence of some kind, emotional or otherwise, in their past.
The kinds of mystical experiences that I have had definitely convinced me that I was able to get out of time. I have had experiences, or brief glimpses, of being able to see the future and then come back into time, and then go into extraordinary realms of the past.
When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way. Uta Hagen said this, "In my life, I see myself as just this, you know, kind of flamboyant, kind of sexy middle-aged woman. And then I see myself onscreen, and I go 'Oh my God.'" And it's the same thing with me. I didn't see myself any different from my white counterparts in school. I just didn't!
You write a character, but in essence, it's just a concept of what it could be, and then actors come in and they have their own sort of interpretations and thoughts. If you respond to those and then go forward with them, then it's kind of like magic to see the idea you had become alive and in the flesh.
If you are on television, that one night that someone is able to see you, you're talking about millions of people in one day. That's pretty awesome because then it helps you to jumpstart your career, and if you're the one to go out there and perform, people are going to come see you because those millions saw you on the television.
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